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Servitors II and Advanced Poppits

High Priestess Maxine Dietrich

Founder Of The Joy Of Satan
Staff member
Joined
Jan 2, 2002
Messages
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Servitors II and Advanced Poppits
Advanced servitors are created and reside in a special “home” such as a doll or other object or even in a specially made box serving as a house. The following is the real thing. These are the servitors witches used for centuries. Advanced servitors are given a real soul. Yes, it is possible to create a real soul using the elements. The Act of Creation ~ There are four fundamental methods devised for the creation act of elementary: 1. The projection of one element into a ready form, no matter whether the point in question be a mental, astral or a material form. 2. The projection of several elements into a ready form, which may be a mental, astral, or material form. 3. The projection of one element without any direct form, which will be produced by the element in question. 4. The projection of several elements, which will produce their form successively.
Method 1: 1.  Take any object of which you want to give the form to the elementary, and put it in front of you. Choose for example a ball, no matter whether it is big ball of wood or glass, solid or hollow inside. A rather large rubber ball will do as well. 2. Draw the desired element from the universe with the help of your imaginative faculty and imagine it in the form that you chose, in such a way that the shape of the object is completely filled. Treat each element you want to work with in the same manner, except akasa, and always engage that element which best responds to your desire or idea. 3. Repeat this projection several times, each time imagining the sensation that more and more elemental matter is forming, accumulating and compressing. 4. As soon as you are quite sure that this accumulation of the element is strong enough for the realization of your desire, impregnate this already completed elementary with the concentrated desire or purpose you aim at. 5. Apart from that, give a name to the elementary, because it cannot exist without a name. 6. At the same time, limit the period of its lifetime, during which it has to fulfill its task. [Ask the advice of a Demon for whether to give it a life-span] Supposing that you operated with the element of fire, the outcome would be a fire elementary and you have got a fiery ball. If it has been created from the water element, the ball will be similar to a glass ball; created from the air element, the ball will have a bluish color, and when produced from the earth element, the elementary will appear clay-colored. Provided that you followed all these instructions, draw the elementary out of the object and send it on to the job you selected to be done. But beforehand, order the elementary to go back into its shape immediately after having fulfilled its task. In this manner, you have the possibility of checking the elementary, whether or not it has done its job, by approaching the form with a pendulum. If the elementary has returned into the original form after finishing its work, the pendulum will present vibrations because such an elementary has a remarkable magnetic as well as electrical radiation. The pendulum test is very important for you, as it demonstrated whether your order has or has not been executed. Later on, after having acquired the maturity, you will be able to watch the work of your elementary by clairvoyance. If the pendulum does not show any vibration, it will prove that the elementary still is working because the job is not yet finished. When sending off the elementary to do its piece of work, do not forget that there are no bounds for an elementary. Neither time nor space can put obstacles in the way of an elementary, and it would be able to go around the globe in an instant if necessary. You have to be firmly convinced that it will execute your order and obey your will within the time you have fixed, without any exception. Not the slightest doubt about the success must ever enter your mind. As soon as you have forwarded the elementary, cut off the connecting link between you and it as suddenly as if you had used a knife, and stop thinking of it instantly after sending it off. You may have to transfer yourself into a state of vacancy of mind, or give your attention to quite another matter. In short, you must forget your elementary altogether. The more skillfully you manage this, the more pervasively and undisturbed the elementary will work. If the time you had fixed beforehand has expired, make certain with the help of the pendulum that the elementary has returned into its form. If so, you can then dissolve the elementary in the way you previously determined, namely by burning its name, with the help of a special ritual, or by spelling its name backwards in an undertone. This disintegration or dissolution also can be performed through the normal imagination, similar to the method we recommended for the projection of elements. You may use the elementary for the same purpose somewhere else too, if you like. If your elementary has not returned to the form it is preserved in, after the time you set, and if you suppose that your order has not been fulfilled satisfactorily, just call back the elementary. Produce a more intense accumulation of the element by reinforced imagination and projection of the respective element, and then send the elementary off once more to do the required job. You may repeat this loading as many ties as you like until the desired effect has been accomplished. Such a repetition of the loading will be necessary when you bring your elementary up against a problem that would exceed its tension and power. Moreover, you have to consider that the effectiveness of an elementary depends on your own mental maturity and consequently on your ability to condense an element. It also depends on your will, your conviction and your emanative faith which is able to move mountains. This is the most artless and easiest method of creating elementaries, which the magician is using for simple effects only, narrowly limited ideas and influences that do not require any special intelligence, for example, to give an order to another person, to offer protection in simple affairs, etc. As mentioned before, mental, astral and material effects can be achieved with the help of elementaries. In the manner quoted here, an elementary can be produced without any material shape as well. In such a case one has to project the desired element into a form of thoughts, operating in exactly the same way you did in the material production. This kind of creation of elementaries is more difficult, it is true, but it has the advantage that the form also can be transferred somewhere else, where a material body would not have enough space, for example, into a corner of a wall and into such spots where the meddling of other people is quite out of the question. This practice offers so many possibilities for the magician that it is left entirely to his intuition to what purposes he likes to use the elementaries he creates. He can, for example, shield his house or apartment from injuries with the help of an elementary, produce a more favorable atmosphere for himself, and similar things. For example, a merchant can create an elementary that will aid him in increasing the number of his customers.
Method 2: Although, according to this method you may choose any object whatever, such as a statue, doll or such as a suitable form for your elementary, I shall also acquaint you with a very ideal secret practice: 1. Take two parts by volume of loam and one part of wax. Stir the loam with some warm water to a thick pulp and add the beeswax, either completely melted or warmed to softness. Knead both ingredients until they are very well mixed. Do not use too much water to prepare the loam, or else the mass will turn out too soft and it would be difficult to operate with. If genuine beeswax is not available, any other fatty or waxy ingredient will do, such as tallow and the like which are generally used for making candles. This would be a last resort, because beeswax is much better. 2. Now form a figure, giving it the shape you want the elementary to have, such as a human form. With a large nail or other pointed object, sink a wide opening while the doll is still warm and soft. Begin with the head and move down along the spine to the feet, producing a large hollow inside the figure. Now fill this space up to the opening with a fluid condenser, and stop the opening while the figure is still soft to prevent the condenser from leaking out. Another way is to pour the condenser into the figure after it has cooled down and hardened, stopping the opening with liquid wax or with a candle. As to the treatment of magic condensers, I shall enlarge on this subject in a special chapter. If the magician intends to create the elementary for his own purposes only, he has to stop the opening of the figure with a cotton wool plug containing a few drops of his own organic prima material. This is the Alpha and Omega; therefore take a few drops of your own blood or sperm. In our case, one or the other would be sufficient, but if both "mumiae" of the first class were connected, it would be still more effective. Supposing a female magician is concerned, a drop of her own blood serves the same purpose. The cotton wool plug prepared in this manner has to be put first into the hollow of the figure, pouring the fluid condenser over it, only then, not before, and finally stopping the opening. According to the magic rules, a figure like this is the most ideal form to create an elementary. The size of the figure does not mater at all, although it is evident that the bigger the doll, the more fertile will be your creative imagination. But a figure approximately 4 inches will do for a skilled magician. In case an elementary has to be created and a doll to be shaped for another person, the own prima material is not to be mixed with the fluid condenser, otherwise serious damage will be done to the magician. The respective person in consequence of the mental, astral and material connection would obtain the opportunity to influence the magician directly or indirectly to good as well as bad effect. For example, a figure prepared with the mumia and put into cold water will cause shivering fits in the body of the magician who created it, and the other way around, if the doll were exposed to great heat, a high fever would result. A great number of possibilities are still granted by the magno-sympathetic bond. The aforementioned doll can, of course, be loaded with only one element, and an elementary can be created in the way described in the previous method, but I am going to particularize practice of the second method as well. 3. Take your wax figure in the left hand and rub it gently with your right hand, as if you wanted to animate it with your vital power. Blow your breath on it as if you wanted to resuscitate the lifeless figure. Give your developing elementary the name you have destined to it and speak this name several times into the figure. Religiously inclined magicians even baptize the figure in a way similar to the christening of a newborn child, and give the name to the figure while performing this ceremony. [(You can baptize in the Name of Satan)] This of course is a matter of opinion of any magician and not absolutely necessary. In any case, ascertain for yourself in this experiment that in this figure you possess a perfect body appropriate to your elementary.
4. After your doll has got its name, fill your whole body with the earth element and project it through your hands or the solar plexus outwards and fill the figure with this element, beginning from the feet up to the neighborhood of the genitals. The earth element has to be accumulated dynamically in these parts when filling the figure. 5. Now, concentrate all the specific properties of the earth such as gravity and the like into it with the firm will and conviction that the earth element with all its properties will remain in the figure and work there constantly. 6. Proceed in the same manner with the water element, which you project into the doll's abdominal region. After that transfer the air element into the chest region, and the fire element into the head. As soon as you have projected all the four elements into the figure, you may be sure to have created the astral body of your elementary, which has adopted the doll's shape but, in conformity with your desire, could also emanate from the doll whenever you like to, accepting the size you prefer. The astral body of your elementary will always remain connected by an invisible bond to the material frame, in our case the doll, and the life as well as the existence of the elementary depend on the physical doll, and are bound to reassume the size of the doll after the task is accomplished, reentering and reuniting into the doll's shape immediately. Up to this stage, you may repeat the experiment several times and reinforce its efficiency by deep meditation on the act of proceeding. Provided that you have produced the astral body of your elementary in the manner described here, you may turn to form the mental body of the elementary as follows: 7. With the help of your imagination, produce in the doll the mental body, which you think is made from the finest etheric matter, and see how it surrounds and wraps the entire form of the doll. 8. Concentrate into the head of the doll all the properties of the soul and the mind which you want your elementary to own, and deepen these qualities by meditation. Provided you are not interested in any special desires, you may concentrate on the four specific properties of the mind: will, intellect, feeling and consciousness, and deepen them by meditating on them. If you are sure that the figure has been sufficiently loaded and enabled to produce the intended effect, let us deal with the awakening of life in your elementary. 9. Accumulate in your right hand such an amount of light from the universe that the hand is shining fiery hot like a sun. 10. Take the figure in your left hand and hold your radiant right hand some inches above it: Exhale your warm breath to the doll's navel region, and speak the name of the elementary aloud into it. When doing so, imagine that the light from your right hand is entering into the puppet. Right at the first blowing of breath into it, imagine that the doll's heart is beginning to beat and the blood to circulate. Your imagination must be so intense that you can feel the life in the puppet quite distinctly, as it were physically. 11. A the seventh exhalation the light in your right hand will have completely disappeared, having passed into the doll; the astral form of your doll is throbbing and alive. 12. At the eight breathing into it, think that the astral body of your figure is accepting your breath and beginning to breathe regularly. 13. At the ninth blowing of your breath into it, call your elementary by its name and at the same time, shout aloud and ecstatically, "Live, do live, be alive!" The last "be alive" must be exclaimed enthusiastically and convincingly in the unshakable faith that the desired elementary has been created. Be positively sure that, according to the analogous laws of nature, a perfect being has actually been brought into the world. Having arrived at this point, one can either go on or wrap the figure in a piece of silk for further use. Silk is known to be the best magic insulating material. The figure is to be kept in a favorable spot, inaccessible to anyone else; no foreigner must ever come in touch with the figure. Any further work is already a matter of imagination. Provided you with to advance, put the figure in front of you, imagine the astral body together with the mental body emanating from the puppet. You have to imagine your elementary very much like a tiny, complete human being. It is entirely up to you to see in your elementary a male or a female being, depending on the kind of task it is expected to fulfill. The same is true for the clothing for it; your fantasy may decide. According to the task ahead, you may link the elementary by imagination to a self-selected ritual. Impress on your elementary right from the beginning the command that it should adopt the size you choose for it. You can have your elementary shrink to a dwarf or grow to a giant. It depends absolutely on your will and your liking whether you want to give the elementary an attractive or less beautiful form. The purpose on which you decide also plays a part here. As every astral and mental body is independent of time and space, matter being no obstacle for it, it is necessary for you to communicate this property to your elementary by imagination right from the beginning. It is therefore advisable for every magician, when operating with an elementary, to link important occurrences to a self-chosen ritual, because this wished-for occurrence will become a routine matter, the ritual connected to the respective occurrence producing the necessary power and effect and liberating the magician from using his will or imagination. When working with the elementary for a longer period, the elementary may automatically be condensed to such a degree that it becomes visible even to an untrained physical eye. It is better, however, to make the elementary work in an invisible manner, which has to be established by instructions to the elementary. At the beginning such an elementary first will fulfill mental, later astral, and eventually material tasks. All depends on the purpose to which the magician has created it. The purpose or the task is to be incorporated into the elementary at the moment of its creation. Afterwards it would be more difficult to impress new qualities on it. Hence, before creating an elementary, one ought to write a plan of action in which everything is carefully considered before starting the creation. Never permit an elementary to out-maneuver you, though it may have developed to such a degree as to set free grand mental, astral or physical effects. After it has done its duty, always confine the elementary to its own body with the aid of your pre-established ritual; never allow it to pursue its own will. Always be aware of your own authority and magic power and always make sure that the life and death of the elementary are in your hands in the form of a wax figure representing the body of the elementary. The destruction of this figure or the flowing away of the fluid condenser will cause the elementary's death or its decomposition. As the wax figure must always be wrapped in silk, one may be certain the astral body will neither enter the figure nor slip out of it, because the silk will stop it. It is most important to know and remember this. When you separate the elementary from its body to send it away or order it to produce any effects, the figure must be unwrapped. If by any chance you have wrapped the figure in silk when the astral body happens to be outside of it, you might be killing the elementary, dissolving it instantly, in the same way as if you were touching a magician whose astral body is outside his physical body, killing him at the same moment because the linking thread between the astral body and the mortal frame has been torn by the touch. As you see, you will have to treat a created elementary n exactly the same way as if you were dealing with any human being.
The dissolution of an elementary must not take place suddenly, because the power set free has its origin in the magician himself and the sudden drawback could cause severe damage to the magician, especially if his elementary is capable of producing strong physical effects which even the magician would not be able to accomplish. In such a case, the disintegration has to be performed gradually. Therefore, be on your guard beforehand against the elementary growing to such an extent as to outdo the magician's physical, astral and mental powers. Hence I recommend the following two methods to disintegrate an elementary. As mentioned previously, the destruction must not happen suddenly, for example by burning the figure, without unloading it. One should always consider that, according to the method described here, it's a part of one's own Self, of the own Ego that has been projected into the elementary, and that any sudden destruction would result in a strong magical drawback. Should the magician not be sufficiently resistant or otherwise protected against such drawbacks, he would certainly suffer severe damage to his health, such as dysfunctions of the heart, nervous breakdown, paralysis of different kinds, mental defects, and so forth. Therefore you are advised always to be careful where magic is concerned, and one must strictly observe the directions and instructions given here. Then you will never incur any danger with respect to your health or otherwise. Only a fool ignoring or disobeying the rules will injure himself or other people. In the case of an elementary, the process of decomposition is exactly the same as in the passing away of Man, unless the dissolving moment was fixed at the very moment of creation, thereby deciding on another Process: 1. Take the figure in your hand and imagine the usual breathing process of the astral body in it. You feel the beating of the heart and the throbbing of the blood. 2. Now load your right hand with akasa, which you imagine to be of a black-violet color. 3. Project the akasa pointedly to the heart of the figure, suddenly like a streak of lightning. By doing so, you have killed your elementary. The heart stands still, the breathing has ceased. 4. Withdraw the mental body from the figure, because through the streak of the akasa, the bond between the mental and the astral body has been torn. As soon as you imagine the mental body being outside the puppet, dissolve it with the help of your imagination into the universal light, like steam evaporating. 5. After that, pass on to the decomposition of the astral body by having one element after another evaporate. Begin with the fire element in the head, then the air element in the chest, the water element in the abdomen, and finally the earth element in the feet. Now open the hollow of the puppet - break its head off - and catch the fluid condenser with a piece of blotting paper, which you then have to burn. The puppet itself could be used again to make a new elementary, when kneaded and molded, but it is more advisable to destroy it by burning or burying it in a lonely spot. This would be the normal way of decomposition. Apart from that, I am going to describe another method that is generally used when an elementary has been condensed to such a degree that it accomplished physical tasks or else had become so strong that it refused to obey the magician's power, having got beyond his control. To protect yourself from any magical reaction or the cunning of the elementary, keep exactly within the following directions: 1. Prepare a very hot bath, as hot as you can endure, and get in. Hold the figure wrapped in silk in your left and. The right hand is loaded with akasa. 2. Now shake off the silk wrapping with your left hand. The very moment you are holding the naked figure immediately above the water, direct the destructive beam of akasa to the heart of the figure. At the same time, dip the doll below the water and while doing so think that all the power, all abilities, the whole life is passing with the help of the water into your own body, soul and spirit. This process represents a very abrupt destruction of the created being, your elementary. Your body, soul and spirit are accepting the life in a tolerable manner. The rest of the power remains in the water and you are protected against any magic drawback or reaction. 3. Now leave the bath and dry yourself, but leave the puppet in the water until it has cooled down. The silk in which it was wrapped might also have fallen into the water. Let the cold water drain off, but make sure that nobody else comes in touch with this water. If your eyes are clairvoyant and you notice that the figure is still emanating an aura, throw it once more into hot water and the fluid condenser will mix with the water. You may perform this experiment in any case even if you don't see the emanation. At least you will be sure that all life in the elementary is extinct. 4. Burn or bury the remains of the doll together with the silk. With this last operation the elementary is dead and gone for you. Before I terminate this chapter, I would like to give a few hints to the magician who has to work with elementaries. These hints are of paramount importance for the practitioner. Exactly as the hours of birth and death of man are already predestined by fate, decide on the duration of life of your elementary in the same way at the very act of creation; fix the exact dying hour which you have to keep to the very minute, even if you have determined your elementary to live for years. It is therefore recommended to write down everything beforehand so as not to forget anything. If your elementaries have been created and condensed to such a degree as to be able to talk like human beings, they will try to beseech or even threaten you not to destroy them. On no account descend to promises of any kind, nor yield to bluffs or threats. Sooner or later you would lose the control of the elementaries and that would be disastrous for you, indeed. Even if the elementaries had served you faithfully and you had become quite fond of them, it must be all the same to you to destroy them, indifferently and in cold blood, as soon as their hour of death has struck. Start the act of decomposition without any pity just as if you were performing any kind of magic operation. Just how important it is to fix the exact hour of death of an elementary, you may argue from the fact that, in case anything should happen to you and you die before the elementary's time has come, this latter would dissolve itself at the moment fixed by you. Though departed, however, you might perform your destroying work in the akasa sphere too, if you were yet interested in it. I am not going to describe here how anything like that could be managed, because it would be out of the scope of this book. Being however on the astral level, you would as a perfect magician understand that automatically. If in such a case the lifetime of an elementary were not limited to terms, if the hour of death had not been exactly fixed, the elementary would go on existing for hundreds of yeas after the producer's death and constantly be viable. In the meantime, it would probably grow into a spook, a hobgoblin, or vampire. Now the question will probably arise: how many of such or similar elementaries may be created by a magician? This problem is left entirely to him. He should decide how many he needs for his own purposes and how many he wants to create for other people. Some magicians have a throng of elementaries as their servants, faithfully fulfilling all the tasks they are ordered to do. Thus for example, the magician might have elementaries pointing out every danger to him in advance, others again will protect him. Or forward messages to him, etc. There is no need to quote all the possibilities, because all of them are individual and depend on the desires that the magician wants to be realized with the help of the elementaries. The speaking pictures, columns, and statures in the temples of the ancient may certainly be interpreted as an outgrowth of elementaries' magic. The legend concerning the Golem, who is said to have been created by the wise Rabbi Low in Prague likewise goes back to the creation of elementaries.

(Message over 64 KB, truncated)
 
hey there,
in this creation of a servitor, i would like to use a toy.

1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire and air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:
Advanced servitors are created and reside in a special "home" such
as a doll
or other object or even in a specially made box serving as a
house. The
following is the real thing. These are the servitors witches used
for
centuries. Advanced servitors are given a real soul. Yes, it is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation act of
elementary:

1. The projection of one element into a ready form, no matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form, which may
be a
mental, astral, or material form.

3. The projection of one element without any direct form, which
will be
produced by the element in
question.

4. The projection of several elements, which will produce their
form
successively.


Method 1:

1. Take any object of which you want to give the form to the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of wood or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help of your
imaginative
faculty and imagine it in the form that you chose, in such a way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time imagining the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary with the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime, during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-span]

Supposing that you operated with the element of fire, the outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball will be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when produced from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable magnetic as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show any
vibration, it
will prove that the
elementary still is working because the job is not yet finished.

When sending off the elementary to do its piece of work, do not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able to go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will execute
your order
and obey your will within the
time you have fixed, without any exception. Not the slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary, cut off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking of it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy of mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If the time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the elementary has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards in an
undertone.
This disintegration or dissolution also can be performed through
the normal
imagination, similar to the
method we recommended for the projection of elements. You may use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by reinforced
imagination
and projection of the
respective element, and then send the elementary off once more to
do the
required job. You may repeat
this loading as many ties as you like until the desired effect has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your elementary up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability to
condense an
element. It also depends on
your will, your conviction and your emanative faith which is able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do not
require any
special intelligence, for example,
to give an order to another person, to offer protection in simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help of
elementaries.
In the manner quoted here, an elementary can be produced without
any
material shape as well.
In such a case one has to project the desired element into a form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of a wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He can, for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will aid him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax. Stir the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the loam, or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine beeswax is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening while the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after it has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the treatment of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to create the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take a few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this manner has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then, not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the most ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident that the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches will do
for a
skilled magician.

In case an elementary has to be created and a doll to be shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and material
connection would obtain the
opportunity to influence the magician directly or indirectly to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will cause
shivering
fits in the body of the
magician who created it, and the other way around, if the doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still granted by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only one
element, and
an elementary can be
created in the way described in the previous method, but I am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the figure in
a way
similar to the christening of a
newborn child, and give the name to the figure while performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body with the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in these parts
when
filling the figure.

5. Now, concentrate all the specific properties of the earth such
as gravity
and the like into
it with the firm will and conviction that the earth element with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which you
project into
the doll's abdominal region. After that transfer the air element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the doll's shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to, accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an invisible bond
to the
material frame, in our case the
doll, and the life as well as the existence of the elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several times and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your elementary
in the
manner described here, you
may turn to form the mental body of the elementary as follows:

7. With the help of your imagination, produce in the doll the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and wraps the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties of the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you are not
interested in any special desires, you
may concentrate on the four specific properties of the mind: will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light from the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the name of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is beginning to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life in the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand will have
completely disappeared, having
passed into the doll; the astral form of your doll is throbbing
and alive.
12. At the eight breathing into it, think that the astral body of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The figure is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill. The same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays a part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle for it,
it is
necessary for you to communicate
this property to your elementary by imagination right from the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even to an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible manner, which
has to be
established by instructions
to the elementary. At the beginning such an elementary first will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before creating an
elementary, one ought to write a plan of
action in which everything is carefully considered before starting
the
creation.

Never permit an elementary to out-maneuver you, though it may have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established ritual; never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because the silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from its body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent as to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by burning
the figure,
without unloading it. One
should always consider that, according to the method described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and that any
sudden
destruction would result in a
strong magical drawback. Should the magician not be sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any danger with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure himself
or other
people.

In the case of an elementary, the process of decomposition is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very moment of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the blood.

2. Now load your right hand with akasa, which you imagine to be of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because through the
streak of
the
akasa, the bond between the mental and the astral body has been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral body by
having one
element
after another evaporate. Begin with the fire element in the head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element in the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser with a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make a new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that is
generally
used when an elementary has
been condensed to such a degree that it accomplished physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the cunning of the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and get in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The very
moment you are holding the naked figure immediately above the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the doll
below the
water and while doing so think
that all the power, all abilities, the whole life is passing with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback or
reaction.
3. Now leave the bath and dry yourself, but leave the puppet in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen into the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this water.
If your eyes are clairvoyant and you notice that the figure is
still
emanating an
aura, throw it once more into hot water and the fluid condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for years. It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently and in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would be out
of the
scope of this book. Being
however on the astral level, you would as a perfect magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to terms, if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a spook, a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or similar
elementaries may be created by a
magician? This problem is left entirely to him. He should decide
how many he
needs for his own
purposes and how many he wants to create for other people. Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every danger to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no need to
quote all
the possibilities, because all
of them are individual and depend on the desires that the magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and statures in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced with the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these facts. The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would like to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any magician
should decide
in favor or this third method, he
has of course to consider everything I have written about the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very intensely and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite. Moreover, he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant for his
personal
use only, he has to perform
the loading through the projection of his own body. In case it is
meant for
somebody else, he has to
execute the projection directly from the universe. Furthermore, he
has to
make sure about the manner in
which he intends to call his elementary, whether by a ritual, a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order not to
be touched
by strangers. Having
considered all this carefully and written notes of it, he may
begin with the
practice. In this third method I
will describe an elementary created with the fire element, which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do with a
symbol of
the four elements in their
positive and negative results. The circle itself represents the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the octagon by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing has to
be big
enough to allow the created
elementary to stand on the sign in the center of the octagon. Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have hidden in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is built from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with the real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand of the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate it
with your
desire, whether right
away in your body, or animate it afterwards by imagination when it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities may be
used
without incident.

4. Now, project the fire element out of your body and accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the surface of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into the spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the first
task will be
finished.

Next time, all you have to do is spread out the great kylichor in
front of
you, put the small one in its
center, and call the being with the name given to it, and the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and let the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that has the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with it is
the same as
described in the two previous
methods, except that the loading always takes place I the great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small kylichor in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with the help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that you have
not
decided on any other individual
method of dissolution that you have decided upon. The use of such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of the sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam, and
what is most
profitable is to develop a
single ability and one field of activity in such an elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous methods. It is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam can be
produced
with the other elements and
even with all the four elements in the same manner, the process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has been said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the complete
shape of the
elementary right at the
beginning. The elementary created in this manner is instantly made
ready and
complete, its efficacy and
power being increased by frequently repeating the projection of the
elements. Although this method is
somehow more difficult, an experienced magician possessed of a good
imagination will manage it very
easily as well. In the Orient, elementary yidams are created in
this way,
while pictures of demons and
images of gods serve as patterns for their representation. All the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
You need the element water. Air is useful, but it isn't what you
should focus on. If you want passion, then fire is very good. But
you need a lot of water to attract someone emotionally.

--- In [email protected], "jri9vero"
<jri9vero@y... wrote:
hey there,
in this creation of a servitor, i would like to use a toy.

1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a special "home"
such
as a doll
or other object or even in a specially made box serving as a
house. The
following is the real thing. These are the servitors witches
used
for
centuries. Advanced servitors are given a real soul. Yes, it is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation act
of
elementary:

1. The projection of one element into a ready form, no matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form, which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct form, which
will be
produced by the element in
question.

4. The projection of several elements, which will produce their
form
successively.


Method 1:

1. Take any object of which you want to give the form to the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of wood or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help of
your
imaginative
faculty and imagine it in the form that you chose, in such a way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time imagining the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime, during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-span]

Supposing that you operated with the element of fire, the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball will be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show any
vibration, it
will prove that the
elementary still is working because the job is not yet finished.

When sending off the elementary to do its piece of work, do not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will execute
your order
and obey your will within the
time you have fixed, without any exception. Not the slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary, cut off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking of it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards in
an
undertone.

This disintegration or dissolution also can be performed through
the normal
imagination, similar to the
method we recommended for the projection of elements. You may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by reinforced
imagination
and projection of the
respective element, and then send the elementary off once more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your elementary up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability to
condense an
element. It also depends on
your will, your conviction and your emanative faith which is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do not
require any
special intelligence, for example,
to give an order to another person, to offer protection in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help of
elementaries.

In the manner quoted here, an elementary can be produced without
any
material shape as well.
In such a case one has to project the desired element into a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax. Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine beeswax is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the treatment of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then, not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and
material
connection would obtain the
opportunity to influence the magician directly or indirectly to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if the doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only one
element, and
an elementary can be
created in the way described in the previous method, but I am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the earth
such
as gravity
and the like into
it with the firm will and conviction that the earth element with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which you
project into
the doll's abdominal region. After that transfer the air element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to, accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as follows:

7. With the help of your imagination, produce in the doll the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you are
not
interested in any special desires, you
may concentrate on the four specific properties of the mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is beginning to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life in the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand will
have
completely disappeared, having
passed into the doll; the astral form of your doll is throbbing
and alive.

12. At the eight breathing into it, think that the astral body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The figure is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill. The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays a
part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right from the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even to an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered before
starting
the
creation.

Never permit an elementary to out-maneuver you, though it may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by burning
the figure,
without unloading it. One
should always consider that, according to the method described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure himself
or other
people.

In the case of an elementary, the process of decomposition is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the
blood.
2. Now load your right hand with akasa, which you imagine to be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because through the
streak of
the
akasa, the bond between the mental and the astral body has been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral body
by
having one
element
after another evaporate. Begin with the fire element in the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make a new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that is
generally
used when an elementary has
been condensed to such a degree that it accomplished physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the cunning of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The very
moment you are holding the naked figure immediately above the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the doll
below the
water and while doing so think
that all the power, all abilities, the whole life is passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback or
reaction.

3. Now leave the bath and dry yourself, but leave the puppet in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen into the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this water.
If your eyes are clairvoyant and you notice that the figure is
still
emanating an
aura, throw it once more into hot water and the fluid condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would be out
of the
scope of this book. Being
however on the astral level, you would as a perfect magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to terms, if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or similar
elementaries may be created by a
magician? This problem is left entirely to him. He should decide
how many he
needs for his own
purposes and how many he wants to create for other people. Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced with the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any magician
should decide
in favor or this third method, he
has of course to consider everything I have written about the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very intensely and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite. Moreover, he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant for
his
personal
use only, he has to perform
the loading through the projection of his own body. In case it
is
meant for
somebody else, he has to
execute the projection directly from the universe. Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a ritual, a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order not to
be touched
by strangers. Having
considered all this carefully and written notes of it, he may
begin with the
practice. In this third method I
will describe an elementary created with the fire element, which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do with
a
symbol of
the four elements in their
positive and negative results. The circle itself represents the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand of the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate it
with your
desire, whether right
away in your body, or animate it afterwards by imagination when
it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities may be
used
without incident.

4. Now, project the fire element out of your body and accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the first
task will be
finished.

Next time, all you have to do is spread out the great kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it, and the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with it is
the same as
described in the two previous
methods, except that the loading always takes place I the great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small kylichor in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that you
have
not
decided on any other individual
method of dissolution that you have decided upon. The use of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam, and
what is most
profitable is to develop a
single ability and one field of activity in such an elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous methods. It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam can be
produced
with the other elements and
even with all the four elements in the same manner, the process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the complete
shape of the
elementary right at the
beginning. The elementary created in this manner is instantly
made
ready and
complete, its efficacy and
power being increased by frequently repeating the projection of
the
elements. Although this method is
somehow more difficult, an experienced magician possessed of a
good
imagination will manage it very
easily as well. In the Orient, elementary yidams are created in
this way,
while pictures of demons and
images of gods serve as patterns for their representation. All
the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
The toy is perfect, but should be consecrated. By this I mean all
former energies from the toy should be cleaned out. Do this as you
would for cleaning your aura, but remember, if you intend to use the
servitor to influence others or for tasks that involve others, take
the energy from the universe instead of running it through yourself.

The toy will be a home for the servitor, but it is very important
that it is well hidden and no one can disturb it. And yes, fire and
air are fine.

I will post some articles about elementals. Elementals in contrast
to human beings have a soul made of only one element- like gnomes
whose souls are 100% earth element as opposed to humans who have the
five elements.


--- In [email protected], "jri9vero"
<jri9vero@y... wrote:
hey there,
in this creation of a servitor, i would like to use a toy.

1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a special "home"
such
as a doll
or other object or even in a specially made box serving as a
house. The
following is the real thing. These are the servitors witches
used
for
centuries. Advanced servitors are given a real soul. Yes, it is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation act
of
elementary:

1. The projection of one element into a ready form, no matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form, which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct form, which
will be
produced by the element in
question.

4. The projection of several elements, which will produce their
form
successively.


Method 1:

1. Take any object of which you want to give the form to the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of wood or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help of
your
imaginative
faculty and imagine it in the form that you chose, in such a way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time imagining the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime, during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-span]

Supposing that you operated with the element of fire, the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball will be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show any
vibration, it
will prove that the
elementary still is working because the job is not yet finished.

When sending off the elementary to do its piece of work, do not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will execute
your order
and obey your will within the
time you have fixed, without any exception. Not the slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary, cut off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking of it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards in
an
undertone.

This disintegration or dissolution also can be performed through
the normal
imagination, similar to the
method we recommended for the projection of elements. You may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by reinforced
imagination
and projection of the
respective element, and then send the elementary off once more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your elementary up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability to
condense an
element. It also depends on
your will, your conviction and your emanative faith which is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do not
require any
special intelligence, for example,
to give an order to another person, to offer protection in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help of
elementaries.

In the manner quoted here, an elementary can be produced without
any
material shape as well.
In such a case one has to project the desired element into a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax. Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine beeswax is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the treatment of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then, not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and
material
connection would obtain the
opportunity to influence the magician directly or indirectly to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if the doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only one
element, and
an elementary can be
created in the way described in the previous method, but I am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the earth
such
as gravity
and the like into
it with the firm will and conviction that the earth element with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which you
project into
the doll's abdominal region. After that transfer the air element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to, accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as follows:

7. With the help of your imagination, produce in the doll the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you are
not
interested in any special desires, you
may concentrate on the four specific properties of the mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is beginning to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life in the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand will
have
completely disappeared, having
passed into the doll; the astral form of your doll is throbbing
and alive.

12. At the eight breathing into it, think that the astral body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The figure is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill. The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays a
part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right from the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even to an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered before
starting
the
creation.

Never permit an elementary to out-maneuver you, though it may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by burning
the figure,
without unloading it. One
should always consider that, according to the method described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure himself
or other
people.

In the case of an elementary, the process of decomposition is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the
blood.
2. Now load your right hand with akasa, which you imagine to be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because through the
streak of
the
akasa, the bond between the mental and the astral body has been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral body
by
having one
element
after another evaporate. Begin with the fire element in the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make a new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that is
generally
used when an elementary has
been condensed to such a degree that it accomplished physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the cunning of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The very
moment you are holding the naked figure immediately above the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the doll
below the
water and while doing so think
that all the power, all abilities, the whole life is passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback or
reaction.

3. Now leave the bath and dry yourself, but leave the puppet in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen into the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this water.
If your eyes are clairvoyant and you notice that the figure is
still
emanating an
aura, throw it once more into hot water and the fluid condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would be out
of the
scope of this book. Being
however on the astral level, you would as a perfect magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to terms, if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or similar
elementaries may be created by a
magician? This problem is left entirely to him. He should decide
how many he
needs for his own
purposes and how many he wants to create for other people. Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced with the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any magician
should decide
in favor or this third method, he
has of course to consider everything I have written about the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very intensely and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite. Moreover, he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant for
his
personal
use only, he has to perform
the loading through the projection of his own body. In case it
is
meant for
somebody else, he has to
execute the projection directly from the universe. Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a ritual, a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order not to
be touched
by strangers. Having
considered all this carefully and written notes of it, he may
begin with the
practice. In this third method I
will describe an elementary created with the fire element, which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do with
a
symbol of
the four elements in their
positive and negative results. The circle itself represents the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand of the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate it
with your
desire, whether right
away in your body, or animate it afterwards by imagination when
it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities may be
used
without incident.

4. Now, project the fire element out of your body and accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the first
task will be
finished.

Next time, all you have to do is spread out the great kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it, and the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with it is
the same as
described in the two previous
methods, except that the loading always takes place I the great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small kylichor in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that you
have
not
decided on any other individual
method of dissolution that you have decided upon. The use of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam, and
what is most
profitable is to develop a
single ability and one field of activity in such an elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous methods. It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam can be
produced
with the other elements and
even with all the four elements in the same manner, the process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the complete
shape of the
elementary right at the
beginning. The elementary created in this manner is instantly
made
ready and
complete, its efficacy and
power being increased by frequently repeating the projection of
the
elements. Although this method is
somehow more difficult, an experienced magician possessed of a
good
imagination will manage it very
easily as well. In the Orient, elementary yidams are created in
this way,
while pictures of demons and
images of gods serve as patterns for their representation. All
the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
id like to thank all for their replies, but i have 2 more question.

Im planning to follow up on method 1 and i want to know if i can do
the steps by days(i.e. clearing out the energies-day 1, Draw the
desired element from the universe-day 2 etc.)or should all be done
in one "go"?

and what does impregnate mean specifically?-"impregnate this already
completed elementary with the concentrated desire or purpose you".
How exactly do i "impregnate" it.

Thank you for ur time and help!!!

--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:
The toy is perfect, but should be consecrated. By this I mean all
former energies from the toy should be cleaned out. Do this as you
would for cleaning your aura, but remember, if you intend to use
the
servitor to influence others or for tasks that involve others,
take
the energy from the universe instead of running it through
yourself.
The toy will be a home for the servitor, but it is very important
that it is well hidden and no one can disturb it. And yes, fire
and
air are fine.

I will post some articles about elementals. Elementals in contrast
to human beings have a soul made of only one element- like gnomes
whose souls are 100% earth element as opposed to humans who have
the
five elements.


--- In [email protected], "jri9vero"
<jri9vero@y... wrote:

hey there,
in this creation of a servitor, i would like to use a toy.

1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a special "home"
such
as a doll
or other object or even in a specially made box serving as a
house. The
following is the real thing. These are the servitors witches
used
for
centuries. Advanced servitors are given a real soul. Yes, it
is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation
act
of
elementary:

1. The projection of one element into a ready form, no matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form, which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct form,
which
will be
produced by the element in
question.

4. The projection of several elements, which will produce
their
form
successively.


Method 1:

1. Take any object of which you want to give the form to the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of wood
or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help of
your
imaginative
faculty and imagine it in the form that you chose, in such a
way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time imagining
the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime, during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-span]

Supposing that you operated with the element of fire, the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball will
be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable
magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you
will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show any
vibration, it
will prove that the
elementary still is working because the job is not yet
finished.
When sending off the elementary to do its piece of work, do
not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will
execute
your order
and obey your will within the
time you have fixed, without any exception. Not the slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary, cut
off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking of
it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards in
an
undertone.

This disintegration or dissolution also can be performed
through
the normal
imagination, similar to the
method we recommended for the projection of elements. You may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is
preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by
reinforced
imagination
and projection of the
respective element, and then send the elementary off once more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your elementary
up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability to
condense an
element. It also depends on
your will, your conviction and your emanative faith which is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do
not
require any
special intelligence, for example,
to give an order to another person, to offer protection in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help of
elementaries.

In the manner quoted here, an elementary can be produced
without
any
material shape as well.
In such a case one has to project the desired element into a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician
that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax. Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to
softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the
loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine beeswax
is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the treatment
of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to
create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then,
not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be
shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and
material
connection would obtain the
opportunity to influence the magician directly or indirectly
to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if the doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still
granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only
one
element, and
an elementary can be
created in the way described in the previous method, but I am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently
with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it
and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while
performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the earth
such
as gravity
and the like into
it with the firm will and conviction that the earth element
with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which
you
project into
the doll's abdominal region. After that transfer the air
element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to,
accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as follows:

7. With the help of your imagination, produce in the doll the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you
are
not
interested in any special desires, you
may concentrate on the four specific properties of the mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the
name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is beginning
to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life in
the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand will
have
completely disappeared, having
passed into the doll; the astral form of your doll is
throbbing
and alive.

12. At the eight breathing into it, think that the astral body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The
last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired
elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The figure
is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine
your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill. The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the
command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to
give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays a
part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right from the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine
matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even to
an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the
magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before
creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered before
starting
the
creation.

Never permit an elementary to out-maneuver you, though it may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it
has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the
fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking
thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause
severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects
which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by
burning
the figure,
without unloading it. One
should always consider that, according to the method described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be
sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental
defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure
himself
or other
people.

In the case of an elementary, the process of decomposition is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual
breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the
blood.

2. Now load your right hand with akasa, which you imagine to
be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because through
the
streak of
the
akasa, the bond between the mental and the astral body has
been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of
your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral body
by
having one
element
after another evaporate. Begin with the fire element in the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser
with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make a
new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that is
generally
used when an elementary has
been condensed to such a degree that it accomplished physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the cunning
of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The
very
moment you are holding the naked figure immediately above the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the
doll
below the
water and while doing so think
that all the power, all abilities, the whole life is passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a
tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback or
reaction.

3. Now leave the bath and dry yourself, but leave the puppet
in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen into
the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this water.
If your eyes are clairvoyant and you notice that the figure is
still
emanating an
aura, throw it once more into hot water and the fluid
condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the
silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on
the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If
your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you
faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity
just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would be
out
of the
scope of this book. Being
however on the astral level, you would as a perfect magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to terms,
if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of
yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a
spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or
similar
elementaries may be created by a
magician? This problem is left entirely to him. He should
decide
how many he
needs for his own
purposes and how many he wants to create for other people.
Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise
goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced with
the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would
like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any magician
should decide
in favor or this third method, he
has of course to consider everything I have written about the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very intensely
and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he
intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite. Moreover,
he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix
the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant for
his
personal
use only, he has to perform
the loading through the projection of his own body. In case it
is
meant for
somebody else, he has to
execute the projection directly from the universe.
Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a ritual,
a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order not
to
be touched
by strangers. Having
considered all this carefully and written notes of it, he may
begin with the
practice. In this third method I
will describe an elementary created with the fire element,
which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do
with
a
symbol of
the four elements in their
positive and negative results. The circle itself represents the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the
octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing
has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do
for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a
small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have
hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper
already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand of
the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate it
with your
desire, whether right
away in your body, or animate it afterwards by imagination
when
it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities may
be
used
without incident.

4. Now, project the fire element out of your body and
accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the
surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the
first
task will be
finished.

Next time, all you have to do is spread out the great kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it, and the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat
this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with it
is
the same as
described in the two previous
methods, except that the loading always takes place I the
great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small kylichor
in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries
there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that you
have
not
decided on any other individual
method of dissolution that you have decided upon. The use of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of
sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam,
and
what is most
profitable is to develop a
single ability and one field of activity in such an
elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous methods.
It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam can
be
produced
with the other elements and
even with all the four elements in the same manner, the
process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the complete
shape of the
elementary right at the
beginning. The elementary created in this manner is instantly
made
ready and
complete, its efficacy and
power being increased by frequently repeating the projection
of
the
elements. Although this method is
somehow more difficult, an experienced magician possessed of a
good
imagination will manage it very
easily as well. In the Orient, elementary yidams are created
in
this way,
while pictures of demons and
images of gods serve as patterns for their representation. All
the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
You can thoroughly clean it one day, but putting in and programming
the energy should be done at one time. After this, you can continue
putting more and more energy into it every day if you wish to make
it stronger. The specifics about the daily energy I have in another
text and will have to write on this or maybe even scan it to save
time. The energy should be programmed the same way every time to
strengthen it. This is where the "servitor needs to feed off of the
witch's energy."

To keep it alive and going, it will need regular feedings for the
span of its life, but just never let it get out of your control.

"Impregnate" means to put energy into it.



--- In [email protected], "jri9vero"
<jri9vero@y... wrote:
id like to thank all for their replies, but i have 2 more
question.
Im planning to follow up on method 1 and i want to know if i can
do
the steps by days(i.e. clearing out the energies-day 1, Draw the
desired element from the universe-day 2 etc.)or should all be done
in one "go"?

and what does impregnate mean specifically?-"impregnate this
already
completed elementary with the concentrated desire or purpose you".
How exactly do i "impregnate" it.

Thank you for ur time and help!!!

--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:


The toy is perfect, but should be consecrated. By this I mean
all
former energies from the toy should be cleaned out. Do this as
you
would for cleaning your aura, but remember, if you intend to use
the
servitor to influence others or for tasks that involve others,
take
the energy from the universe instead of running it through
yourself.

The toy will be a home for the servitor, but it is very
important
that it is well hidden and no one can disturb it. And yes, fire
and
air are fine.

I will post some articles about elementals. Elementals in
contrast
to human beings have a soul made of only one element- like
gnomes
whose souls are 100% earth element as opposed to humans who have
the
five elements.


--- In [email protected], "jri9vero"
<jri9vero@y... wrote:

hey there,
in this creation of a servitor, i would like to use a toy.

1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire
and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a
special "home"
such
as a doll
or other object or even in a specially made box serving as a
house. The
following is the real thing. These are the servitors witches
used
for
centuries. Advanced servitors are given a real soul. Yes, it
is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation
act
of
elementary:

1. The projection of one element into a ready form, no
matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form,
which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct form,
which
will be
produced by the element in
question.

4. The projection of several elements, which will produce
their
form
successively.


Method 1:

1. Take any object of which you want to give the form to
the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of wood
or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help
of
your
imaginative
faculty and imagine it in the form that you chose, in such a
way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time imagining
the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of
the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary
with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because
it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime,
during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-
span]
Supposing that you operated with the element of fire, the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball will
be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when
produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable
magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you
will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show
any
vibration, it
will prove that the
elementary still is working because the job is not yet
finished.

When sending off the elementary to do its piece of work, do
not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able
to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will
execute
your order
and obey your will within the
time you have fixed, without any exception. Not the
slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary, cut
off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking of
it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The
more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the
elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards
in
an
undertone.

This disintegration or dissolution also can be performed
through
the normal
imagination, similar to the
method we recommended for the projection of elements. You
may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is
preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled
satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by
reinforced
imagination
and projection of the
respective element, and then send the elementary off once
more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired
effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your elementary
up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability to
condense an
element. It also depends on
your will, your conviction and your emanative faith which is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do
not
require any
special intelligence, for example,
to give an order to another person, to offer protection in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help of
elementaries.

In the manner quoted here, an elementary can be produced
without
any
material shape as well.
In such a case one has to project the desired element into a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician
that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He
can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will
aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint
you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax.
Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to
softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the
loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine
beeswax
is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening
while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after
it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the
treatment
of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to
create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool
plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take
a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician
is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this
manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then,
not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident
that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches
will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be
shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise
serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and
material
connection would obtain the
opportunity to influence the magician directly or indirectly
to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if the
doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still
granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only
one
element, and
an elementary can be
created in the way described in the previous method, but I
am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently
with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it
and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the
figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while
performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and
not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that
in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body
with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the earth
such
as gravity
and the like into
it with the firm will and conviction that the earth element
with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which
you
project into
the doll's abdominal region. After that transfer the air
element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to,
accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the
elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is
accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several
times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as
follows:
7. With the help of your imagination, produce in the doll
the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and
wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties
of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you
are
not
interested in any special desires, you
may concentrate on the four specific properties of the mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light
from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the
name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is
beginning
to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life in
the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand
will
have
completely disappeared, having
passed into the doll; the astral form of your doll is
throbbing
and alive.

12. At the eight breathing into it, think that the astral
body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The
last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired
elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being
has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap
the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The
figure
is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with
the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of
you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine
your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in
your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill. The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the
command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to
give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays a
part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle
for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right from
the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine
matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even
to
an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the
magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of
its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before
creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered before
starting
the
creation.

Never permit an elementary to out-maneuver you, though it
may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it
has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always
make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the
fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped
in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because
the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might
be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a
magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking
thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have
to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place
suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause
severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects
which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent
as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate
an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by
burning
the figure,
without unloading it. One
should always consider that, according to the method
described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and
that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be
sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to
his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental
defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any
danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure
himself
or other
people.

In the case of an elementary, the process of decomposition
is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very
moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual
breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the
blood.

2. Now load your right hand with akasa, which you imagine to
be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because through
the
streak of
the
akasa, the bond between the mental and the astral body has
been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of
your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral
body
by
having one
element
after another evaporate. Begin with the fire element in the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element
in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser
with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make
a
new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that
is
generally
used when an elementary has
been condensed to such a degree that it accomplished
physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the cunning
of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and
get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The
very
moment you are holding the naked figure immediately above
the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the
doll
below the
water and while doing so think
that all the power, all abilities, the whole life is passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a
tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback
or
reaction.

3. Now leave the bath and dry yourself, but leave the puppet
in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen into
the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this
water.
If your eyes are clairvoyant and you notice that the figure
is
still
emanating an
aura, throw it once more into hot water and the fluid
condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see
the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the
silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for
the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on
the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying
hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for
years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If
your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you
faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently
and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity
just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of
an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would be
out
of the
scope of this book. Being
however on the astral level, you would as a perfect magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to
terms,
if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of
yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a
spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or
similar
elementaries may be created by a
magician? This problem is left entirely to him. He should
decide
how many he
needs for his own
purposes and how many he wants to create for other people.
Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all
the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every
danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no
need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and
statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise
goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced with
the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these
facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would
like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any
magician
should decide
in favor or this third method, he
has of course to consider everything I have written about
the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very intensely
and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he
intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite.
Moreover,
he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix
the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant
for
his
personal
use only, he has to perform
the loading through the projection of his own body. In case
it
is
meant for
somebody else, he has to
execute the projection directly from the universe.
Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a
ritual,
a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order
not
to
be touched
by strangers. Having
considered all this carefully and written notes of it, he
may
begin with the
practice. In this third method I
will describe an elementary created with the fire element,
which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it
two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do
with
a
symbol of
the four elements in their
positive and negative results. The circle itself represents
the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the
octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing
has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the
octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though
any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do
for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a
small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the
big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have
hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is
built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper
already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand of
the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate
it
with your
desire, whether right
away in your body, or animate it afterwards by imagination
when
it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities
may
be
used
without incident.

4. Now, project the fire element out of your body and
accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the
surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the
first
task will be
finished.

Next time, all you have to do is spread out the great
kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it, and
the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and
let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that
has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat
this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with it
is
the same as
described in the two previous
methods, except that the loading always takes place I the
great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small
kylichor
in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries
there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that you
have
not
decided on any other individual
method of dissolution that you have decided upon. The use of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of
sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam,
and
what is most
profitable is to develop a
single ability and one field of activity in such an
elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous methods.
It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam
can
be
produced
with the other elements and
even with all the four elements in the same manner, the
process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the
complete
shape of the
elementary right at the
beginning. The elementary created in this manner is
instantly
made
ready and
complete, its efficacy and
power being increased by frequently repeating the projection
of
the
elements. Although this method is
somehow more difficult, an experienced magician possessed of
a
good
imagination will manage it very
easily as well. In the Orient, elementary yidams are created
in
this way,
while pictures of demons and
images of gods serve as patterns for their representation.
All
the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
Ah, when he means fluid condencer, is he talking about the liquid
made with gold? I know how to make that...

Get a piece of gold jewelery, 18K or better, and a pair of pliers, a
ceramic pot with some water in it, heatproof gloves, and a pair of
goggles and a good heat source. Now, heat the gold up holding it in
the pliers with your gloves, and heat it as much as you can. Then
drop it into the water. wait until the water cools, fish it out and
repeat 7 times. Now you have the water you put in your fluid
condencer, which could be an infusion or maceration of herbs and/or
stones.

Is that right? Or is there another way about it?


--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:
The toy is perfect, but should be consecrated. By this I mean all
former energies from the toy should be cleaned out. Do this as you
would for cleaning your aura, but remember, if you intend to use
the
servitor to influence others or for tasks that involve others, take
the energy from the universe instead of running it through
yourself.
The toy will be a home for the servitor, but it is very important
that it is well hidden and no one can disturb it. And yes, fire and
air are fine.

I will post some articles about elementals. Elementals in contrast
to human beings have a soul made of only one element- like gnomes
whose souls are 100% earth element as opposed to humans who have
the
five elements.


--- In [email protected], "jri9vero"
<jri9vero@y... wrote:

hey there,
in this creation of a servitor, i would like to use a toy.

1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a special "home"
such
as a doll
or other object or even in a specially made box serving as a
house. The
following is the real thing. These are the servitors witches
used
for
centuries. Advanced servitors are given a real soul. Yes, it is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation act
of
elementary:

1. The projection of one element into a ready form, no matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form, which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct form, which
will be
produced by the element in
question.

4. The projection of several elements, which will produce their
form
successively.


Method 1:

1. Take any object of which you want to give the form to the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of wood or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help of
your
imaginative
faculty and imagine it in the form that you chose, in such a
way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time imagining
the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime, during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-span]

Supposing that you operated with the element of fire, the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball will be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you
will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show any
vibration, it
will prove that the
elementary still is working because the job is not yet
finished.
When sending off the elementary to do its piece of work, do not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will execute
your order
and obey your will within the
time you have fixed, without any exception. Not the slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary, cut
off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking of it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards in
an
undertone.

This disintegration or dissolution also can be performed
through
the normal
imagination, similar to the
method we recommended for the projection of elements. You may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by
reinforced
imagination
and projection of the
respective element, and then send the elementary off once more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your elementary up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability to
condense an
element. It also depends on
your will, your conviction and your emanative faith which is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do not
require any
special intelligence, for example,
to give an order to another person, to offer protection in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help of
elementaries.

In the manner quoted here, an elementary can be produced
without
any
material shape as well.
In such a case one has to project the desired element into a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician
that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax. Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to
softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine beeswax
is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the treatment
of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then, not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and
material
connection would obtain the
opportunity to influence the magician directly or indirectly to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if the doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only one
element, and
an elementary can be
created in the way described in the previous method, but I am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the earth
such
as gravity
and the like into
it with the firm will and conviction that the earth element
with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which you
project into
the doll's abdominal region. After that transfer the air
element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to,
accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as follows:

7. With the help of your imagination, produce in the doll the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you are
not
interested in any special desires, you
may concentrate on the four specific properties of the mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is beginning
to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life in
the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand will
have
completely disappeared, having
passed into the doll; the astral form of your doll is throbbing
and alive.

12. At the eight breathing into it, think that the astral body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired
elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The figure
is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill. The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to
give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays a
part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right from the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine
matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even to
an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the
magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before
creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered before
starting
the
creation.

Never permit an elementary to out-maneuver you, though it may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects
which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by
burning
the figure,
without unloading it. One
should always consider that, according to the method described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be
sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental
defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure
himself
or other
people.

In the case of an elementary, the process of decomposition is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the
blood.

2. Now load your right hand with akasa, which you imagine to be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because through
the
streak of
the
akasa, the bond between the mental and the astral body has been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of
your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral body
by
having one
element
after another evaporate. Begin with the fire element in the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser
with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make a
new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that is
generally
used when an elementary has
been condensed to such a degree that it accomplished physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the cunning of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The very
moment you are holding the naked figure immediately above the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the
doll
below the
water and while doing so think
that all the power, all abilities, the whole life is passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a
tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback or
reaction.

3. Now leave the bath and dry yourself, but leave the puppet in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen into
the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this water.
If your eyes are clairvoyant and you notice that the figure is
still
emanating an
aura, throw it once more into hot water and the fluid condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity
just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would be
out
of the
scope of this book. Being
however on the astral level, you would as a perfect magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to terms,
if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a
spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or
similar
elementaries may be created by a
magician? This problem is left entirely to him. He should
decide
how many he
needs for his own
purposes and how many he wants to create for other people. Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced with
the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any magician
should decide
in favor or this third method, he
has of course to consider everything I have written about the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very intensely
and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he
intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite. Moreover,
he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant for
his
personal
use only, he has to perform
the loading through the projection of his own body. In case it
is
meant for
somebody else, he has to
execute the projection directly from the universe. Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a ritual, a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order not
to
be touched
by strangers. Having
considered all this carefully and written notes of it, he may
begin with the
practice. In this third method I
will describe an elementary created with the fire element,
which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do with
a
symbol of
the four elements in their
positive and negative results. The circle itself represents the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand of
the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate it
with your
desire, whether right
away in your body, or animate it afterwards by imagination when
it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities may
be
used
without incident.

4. Now, project the fire element out of your body and
accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the first
task will be
finished.

Next time, all you have to do is spread out the great kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it, and the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat
this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with it is
the same as
described in the two previous
methods, except that the loading always takes place I the great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small kylichor
in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that you
have
not
decided on any other individual
method of dissolution that you have decided upon. The use of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam, and
what is most
profitable is to develop a
single ability and one field of activity in such an elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous methods. It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam can
be
produced
with the other elements and
even with all the four elements in the same manner, the process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the complete
shape of the
elementary right at the
beginning. The elementary created in this manner is instantly
made
ready and
complete, its efficacy and
power being increased by frequently repeating the projection of
the
elements. Although this method is
somehow more difficult, an experienced magician possessed of a
good
imagination will manage it very
easily as well. In the Orient, elementary yidams are created in
this way,
while pictures of demons and
images of gods serve as patterns for their representation. All
the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
I didn't want to post too much information inside of a day as it
gets to be too much for people to absorb, but Father Satan wants
this posted in answer to your question because it is important, so
here it is. Here is more info on the fluid condensers:

**

The Fluid Condensers ~
Any object can be influenced by any fluid, regardless of being
loaded electrically, magnetically, with elements or akasa, through
the aid of imagination and the will. But according to the laws of
analogy and by experience, it has been found out that not each
object and not each kind of liquid is suitable to retain
an accumulated power for a long time or to accumulate it at all.

Similar to the fact that electricity, magnetism and heat have good
and bad conductors, the higher powers offer the same bipolar aspect.
Good conductors own an enormous accumulative capacity because the
powers concentrated in them are stored up and can be held back at
will.

In the hermetic science such accumulators are called "fluid
condensers". There are three principal groups of them: 1, solid
fluid condensers; 2, liquid fluid condensers; 3, aeriform fluid
condensers.

To the principal group of solid fluid condensers belong, first of
all, resins and metals. As for the metals, gold occupies the highest
rank. Tiniest jots, even atomic particles of gold grants an enormous
amount of condensation power to any liquid. For this reason, gold is
added in smallest portions to any fluid condenser. But more about
this subject will follow later on.

The second group comprehends lacquers, oils, tinctures and extracts
composed from resins that have been produced by certain plants. Just
as gold occupies the first rank among the solid substances, being
analogous to the sun, viz., corresponding to the power and the light
of the sun, so among the fluid substances the human blood and seed -
the sperm - play the part of gold. Sometimes they can replace the
gold completely, because tiny particle of blood or sperm dropped
into a liquid will grant an excellent accumulative power to it.

To the third group are attributed all kinds of fumigations, flavors,
smelling waters, and evaporations about which I will not talk in
detail because they are less important for the magic practice. Apart
from that, I will treat only of the most valuable fluid condensers
that are required for the practice.

Should I have to quote all these various kinds here, their
production and the possibilities of using them, and all the precious
and semi-precious stones too, which doubtless may be excellent
condensers this brief summary alone would grow into a voluminous
book.

There are two kinds of fluid condenser preparations. In the first
line there is the simple type made from one material or one plant
being most useful for any purpose.

The second kind consists of compound fluid condensers that are
prepared from several materials or plants owning extremely strong
accumulative properties.

Since a small quantity of gold has to be added to any fluid
condenser whatever, the magician's attention was directed to gold
first. He can get it as soluble gold chloride. One gram of gold
chloride diluted I 20 grams of distilled water produces a wonderful
gold tincture. 5-10 drops of this tincture are sufficient for 100
grams of a fluid condenser.

Those people who are experienced in laboratory work can produce a
gold tincture by electrolysis. Homeopathic medicines such as aurum
chloratum and aurum muriaticum are gold chloride. Aurum metallicum
is colloidal gold produced by electrolysis.

Supposing that you have no opportunity to obtain gold tincture, you
can produce it yourself in the manner of the ancient alchemists.
Take a piece of the best quality gold (at least 14 carats).

1. Prepare some distilled water equal to ten times the weight of the
gold.

2. Heat the piece of gold in an open flame until it is red hot, then
throw it into the water. Take care that the tool or wire you are
using to hold the gold does not touch the water. The best thing is a
wire hook from which you throw the gold into the water. Take care
not to be splashed by the hissing water.

3. Now let the water and the gold cool down and repeat this
procedure 7-10 times. Add more water, since some of it will boil off
each time you cool the gold. Each time, tiny particles of gold -
colloids - are liberated, and thus the water will become saturated
with gold.

The ancient alchemists called this sort of saturated water or any
other herb essence, chilled with red hot gold, the "quintessence of
gold in the hot way", and they used it as an admixture to other
alchemistic preparations. But we want to use it for our fluid
condensers.

The gold-saturated water is to be filtered and preserved. One
usually pours 5-10 drops of this gold tincture into approximately 3
ounces of fluid condenser. The piece of gold used for this
preparation has to be cleaned for further use.

**

Preparation of the Simple Fluid Condenser ~

1. Take a handful of chamomile flowers, put them in a pot, cover
them with water, and boil for about 20 minutes.

2. Let cool with the lid on the pot, then strain the decoction.

3. Boil the filtered decoction to about 50 milliliters. Let cool and
mix it with an equal volume of alcohol (for better preservation).

4. Add 10 drops of gold tincture. If you wish to use the condenser
for your own purposes, you may add a drop of your blood or sperm, if
possible both together.

5. Filter again and keep it in a cool dark place, ready to use.

Any fluid condenser prepared in this manner does not lose its
efficacy even after several years.

The condenser must be shaken each time you use it, and the bottle
must be kept corked. In the same way you can prepare several
universal condensers from Chinese tea, lily blossoms (white are
best), poplar leaves, alruance roots or mandrake, arnica Montana, or
acacia flowers. Any simple fluid condenser prepared from one plant
is sufficient for normal use such as influencing through the
elements or developing the astral senses by means of fluid
condensers.

**

The Compound Universal Fluid Condenser ~
To achieve extremely strong accumulations of power or perform tasks
that are destined to produce not only a mental or astral influence
but also a material one as well, for example creating elementaries,
animation of paintings and other materialization phenomena, we use
the compound fluid condenser consisting of the following herb
extracts:

Archangelica officinalis (angelica), salvia officinalis (sage), line-
tree flowers, cucumber skin, melon seed, acacia blossoms or leaves,
chamomile flowers, lily flowers, leaves or roots, cinnamon flowers
or bark, leaves of urtica dioica (nettle), leaves of mentha piperita
(peppermint), poplar leaves, leaves or flowers of viola odorata
(sweet violet), osier leaves or bark, green or dry tobacco.

Three kinds of preparation are important to know.

1. The first and most simple is to put equal parts of the listed
plants into a big pot, cover them with water, and boil gently for
about 30 minutes.

2. Afterwards cool, filter and gently boil the filtrate to a thick
concentrate.

3. Now add the same volume of alcohol and add a few drops of gold
tincture, and sperm and blood if you wish.

4. Shake it well and filter into a dark bottle; cork it and store in
a dark, cool place.


The second kind of preparation is as follows:

1. Put the herbs in equal parts into a glass bottle, add pure
alcohol until they are covered, and allow to them extract for about
28 days in a warm place.

2. Filter it and add gold tincture, and your own mumiae of blood and
sperm. Then pour it into bottles and keep them for your personal use.

One of the best methods of preparation is to treat each herb or
plant separately, whether in aqueous or (better) alcohol extract.
After the separate extracts have been prepared, mix them together,
add gold tincture and guard it.

One operates in the same way with the other four special fluid
condensers destined to influence by the elements.

The necessary plants are:
For the fire element: Onion, garlic, pepper, mustard seed or powder.
This fluid condenser must not come in contact with the body,
especially the eyes, because of their sensitivity.

For the air element: Hazel nut, leaves or bark, juniper berries,
rose blossoms or leaves, cherry bark or leaves.

For the water element: Oats or straw, rapeseed, eventually turnip,
sugar beet, peony blossoms or leaves, cherry leaves or bark.

For the earth element: Parsley roots, leaves or seed, caraway seed,
plantago leaves, carnation flower, or balm-mint.

From the point of view of a layman the recipes quoted here will
appear as a dreadful pell-mell, and from the pharmacological point
of view one might describe them as pure nonsense. But the matter in
question here is not the pharmacologic but the magic effect.

The eyes of the expert practitioners who know the secret
significance of plants, which are so very mysterious, will detect
the correct connection by intensive meditation. One could compose
hundreds of recipes on the base of analogies, but this outline ought
to meet the requirements of the magician. All the recipes given here
originate in practice and have produced fine results.

Before I finish with the problem of fluid condensers, I will throw
some light on another alchemistic theme that is linked to it, the
Life-Elixirs.

Life Elixirs ~
The so-called genuine alchemistic "life-elixirs" are nothing else
but marvelously composed fluid condensers that have been produced in
analogy to the elements and the three levels of human existence.

They have been magically loaded in accordance to them. Essences are
used for the mental sphere, tinctures for the astral sphere, and
salts and extracts for the material sphere, all of them loaded in the
corresponding ways. Elixirs produced in conformity with them
consequently influence not only the material body of man but his
astral and mental bodies as well. Such an elixir is therefore not
only a good remedy but an excellent and dynamic regenerative too.
Therefore, the elixirs of sincere alchemists are nothing else but
exquisite fluid condensers.



--- In [email protected], "Kimmi" <enlil418@h...
wrote:
Ah, when he means fluid condencer, is he talking about the liquid
made with gold? I know how to make that...

Get a piece of gold jewelery, 18K or better, and a pair of pliers,
a
ceramic pot with some water in it, heatproof gloves, and a pair of
goggles and a good heat source. Now, heat the gold up holding it
in
the pliers with your gloves, and heat it as much as you can. Then
drop it into the water. wait until the water cools, fish it out
and
repeat 7 times. Now you have the water you put in your fluid
condencer, which could be an infusion or maceration of herbs
and/or
stones.

Is that right? Or is there another way about it?


--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:


The toy is perfect, but should be consecrated. By this I mean
all
former energies from the toy should be cleaned out. Do this as
you
would for cleaning your aura, but remember, if you intend to use
the
servitor to influence others or for tasks that involve others,
take
the energy from the universe instead of running it through
yourself.

The toy will be a home for the servitor, but it is very
important
that it is well hidden and no one can disturb it. And yes, fire
and
air are fine.

I will post some articles about elementals. Elementals in
contrast
to human beings have a soul made of only one element- like
gnomes
whose souls are 100% earth element as opposed to humans who have
the
five elements.


--- In [email protected], "jri9vero"
<jri9vero@y... wrote:

hey there,
in this creation of a servitor, i would like to use a toy.

1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire
and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a
special "home"
such
as a doll
or other object or even in a specially made box serving as a
house. The
following is the real thing. These are the servitors witches
used
for
centuries. Advanced servitors are given a real soul. Yes, it
is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation
act
of
elementary:

1. The projection of one element into a ready form, no
matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form,
which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct form,
which
will be
produced by the element in
question.

4. The projection of several elements, which will produce
their
form
successively.


Method 1:

1. Take any object of which you want to give the form to
the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of wood
or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help
of
your
imaginative
faculty and imagine it in the form that you chose, in such a
way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time imagining
the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of
the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary
with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because
it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime,
during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-
span]
Supposing that you operated with the element of fire, the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball will
be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when
produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable
magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you
will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show
any
vibration, it
will prove that the
elementary still is working because the job is not yet
finished.

When sending off the elementary to do its piece of work, do
not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able
to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will
execute
your order
and obey your will within the
time you have fixed, without any exception. Not the
slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary, cut
off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking of
it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The
more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the
elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards
in
an
undertone.

This disintegration or dissolution also can be performed
through
the normal
imagination, similar to the
method we recommended for the projection of elements. You
may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is
preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled
satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by
reinforced
imagination
and projection of the
respective element, and then send the elementary off once
more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired
effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your elementary
up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability to
condense an
element. It also depends on
your will, your conviction and your emanative faith which is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do
not
require any
special intelligence, for example,
to give an order to another person, to offer protection in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help of
elementaries.

In the manner quoted here, an elementary can be produced
without
any
material shape as well.
In such a case one has to project the desired element into a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician
that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He
can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will
aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint
you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax.
Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to
softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the
loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine
beeswax
is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening
while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after
it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the
treatment
of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to
create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool
plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take
a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician
is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this
manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then,
not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident
that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches
will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be
shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise
serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and
material
connection would obtain the
opportunity to influence the magician directly or indirectly
to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if the
doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still
granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only
one
element, and
an elementary can be
created in the way described in the previous method, but I
am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently
with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it
and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the
figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while
performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and
not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that
in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body
with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the earth
such
as gravity
and the like into
it with the firm will and conviction that the earth element
with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which
you
project into
the doll's abdominal region. After that transfer the air
element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to,
accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the
elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is
accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several
times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as
follows:
7. With the help of your imagination, produce in the doll
the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and
wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties
of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you
are
not
interested in any special desires, you
may concentrate on the four specific properties of the mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light
from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the
name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is
beginning
to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life in
the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand
will
have
completely disappeared, having
passed into the doll; the astral form of your doll is
throbbing
and alive.

12. At the eight breathing into it, think that the astral
body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The
last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired
elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being
has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap
the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The
figure
is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with
the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of
you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine
your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in
your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill. The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the
command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to
give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays a
part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle
for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right from
the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine
matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even
to
an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the
magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of
its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before
creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered before
starting
the
creation.

Never permit an elementary to out-maneuver you, though it
may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it
has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always
make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the
fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped
in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because
the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might
be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a
magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking
thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have
to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place
suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause
severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects
which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent
as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate
an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by
burning
the figure,
without unloading it. One
should always consider that, according to the method
described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and
that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be
sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to
his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental
defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any
danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure
himself
or other
people.

In the case of an elementary, the process of decomposition
is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very
moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual
breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the
blood.

2. Now load your right hand with akasa, which you imagine to
be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because through
the
streak of
the
akasa, the bond between the mental and the astral body has
been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of
your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral
body
by
having one
element
after another evaporate. Begin with the fire element in the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element
in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser
with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make
a
new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that
is
generally
used when an elementary has
been condensed to such a degree that it accomplished
physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the cunning
of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and
get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The
very
moment you are holding the naked figure immediately above
the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the
doll
below the
water and while doing so think
that all the power, all abilities, the whole life is passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a
tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback
or
reaction.

3. Now leave the bath and dry yourself, but leave the puppet
in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen into
the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this
water.
If your eyes are clairvoyant and you notice that the figure
is
still
emanating an
aura, throw it once more into hot water and the fluid
condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see
the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the
silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for
the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on
the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying
hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for
years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If
your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you
faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently
and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity
just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of
an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would be
out
of the
scope of this book. Being
however on the astral level, you would as a perfect magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to
terms,
if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of
yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a
spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or
similar
elementaries may be created by a
magician? This problem is left entirely to him. He should
decide
how many he
needs for his own
purposes and how many he wants to create for other people.
Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all
the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every
danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no
need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and
statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise
goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced with
the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these
facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would
like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any
magician
should decide
in favor or this third method, he
has of course to consider everything I have written about
the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very intensely
and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he
intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite.
Moreover,
he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix
the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant
for
his
personal
use only, he has to perform
the loading through the projection of his own body. In case
it
is
meant for
somebody else, he has to
execute the projection directly from the universe.
Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a
ritual, a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order
not
to
be touched
by strangers. Having
considered all this carefully and written notes of it, he
may
begin with the
practice. In this third method I
will describe an elementary created with the fire element,
which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it
two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do
with
a
symbol of
the four elements in their
positive and negative results. The circle itself represents
the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the
octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing
has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the
octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though
any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do
for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a
small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the
big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have
hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is
built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper
already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand of
the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate
it
with your
desire, whether right
away in your body, or animate it afterwards by imagination
when
it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities
may
be
used
without incident.

4. Now, project the fire element out of your body and
accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the
surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the
first
task will be
finished.

Next time, all you have to do is spread out the great
kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it, and
the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and
let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that
has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat
this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with it
is
the same as
described in the two previous
methods, except that the loading always takes place I the
great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small
kylichor
in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries
there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that you
have
not
decided on any other individual
method of dissolution that you have decided upon. The use of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of
sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam,
and
what is most
profitable is to develop a
single ability and one field of activity in such an
elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous methods.
It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam
can
be
produced
with the other elements and
even with all the four elements in the same manner, the
process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the
complete
shape of the
elementary right at the
beginning. The elementary created in this manner is
instantly
made
ready and
complete, its efficacy and
power being increased by frequently repeating the projection
of
the
elements. Although this method is
somehow more difficult, an experienced magician possessed of
a
good
imagination will manage it very
easily as well. In the Orient, elementary yidams are created
in
this way,
while pictures of demons and
images of gods serve as patterns for their representation.
All
the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
Especially worthy of mention are the following four systems which
may be practiced successfully in selfinfluencing
as well as in influencing other people. According to the elements,
these methods are as follows:

1. Fire - through combustion
2. Air - through evaporation
3. Water - through mixture
4. Earth - through decomposition.

It would be possible to quote hundreds of varieties and
opportunities of producing such an influence through the elements,
and big book could be written about this problem. I will restrict
myself to one example for each element. Every magician can enrich
his own practical experiments and elaborate new practices by himself.

These four methods exert an influence on the most subtle astral
matrix of the material world, inducing the elements to exert their
influence wherever the magician allows them to work indirectly.

Suppose the magician is about to treat a long-lasting chronic
disease with the help of the elements. A couple of direct treatments
would not be sufficient to fight the sickness, and frequent
repetition takes too much time. In cases like these the magician can
use the Powers as helping factors.

Working with the four elements, the magician has three fields of
activity corresponding to:
1. the immediate effect;
2. the timed effect which is limited to a certain time;
3. the permanent effect, which fades as time goes on and finally
ceases altogether if the operation is not
renewed.

The Influence Through the Fire Element (Combustion) ~

1. Arrange for a piece of flannel or blotting paper about 4 by 4
inches. In an emergency, a piece of ordinary
paper will do as well.

2. Moisten it with any liquid condenser and allow it to dry.

3. Now put the paper in front of you and with the help of the
imagination through the material elements, concentrate into it the
point you would like to get realized. Do not forget to time the
effect, i.e., whether you wish for an instant, a limited or a
permanent effect.

4. As soon as the paper has been loaded with your desire, burn it in
an open fire or in the flame of a candle.

5. During the combustion, concentrate once more on the fact that the
power is released by burning the paper or flannel, inducing the
grosser elements to bring about the result you desire.

The ashes that remain are worthless from the magic point of view,
and you may dispose of them like ordinary ashes.

When performing this experiment you can arrange the effect so that
it will occur the very moment that the person for whom the operation
is performed eats or drinks something warm, enters a warm room, or
somehow comes in contact with heat.

This offers the opportunity to project the fire element into paper,
to load it with a desire, and to hand it over to the universal fire
element or the akasa principle in order to release the effect.
There are still many other ways that might be followed, but this
example will suffice to give the magician a useful hint in this
direction.

**

The Influence Through the Air Element (Evaporation) ~

1. Pour an inch of water into a small metal bowl, then add a few
drops of a fluid condenser that corresponds to air element. If such
a condenser is not available, you may use the universal fluid
condenser.

2. Now operate in exactly the same manner as mentioned in the
instructions given for the previous element by concentrating you
wish on the liquid.

3. Having done so, put the basin on a flame - an electric hotplate
must not be used - and let the desire-loaded liquid evaporate.

4. While doing so you have to concentrate on the steam, wishing the
desire to be absorbed by the air element, whereby the most subtle
air principle is induced to realize your desire.
Concentrate until the last drop of water has evaporated, and the
experiment will come to an end.

Together with the desire-impregnation, you also can combine the order
that the person who is to be influenced should, with every single
breath, inhale the air principle whereby the desire is beginning to
be realized. This happens to be only one example, and every magician
may establish similar versions of the influence operating through
the air element.

**

The Influence Through the Water Element (Mixture) ~

1. Take a new beaker, glass dish or vase and go to running water (a
spring or rive). Try not to be watched while you are performing this
experiment.

2. Fill the container with water and pour into it a few drops of the
fluid condenser responsive to the water element. In an emergency,
take a universal fluid condenser.

3. Now perform the wish-impregnation, proceeding in exactly the same
manner as with the previous element.

4. As soon as the water is prepared as described and satisfactorily
loaded, throw the impregnated water ecstatically into the river and
give the respective order, which will be fulfilled promptly by the
most subtle particles of the water element.

If the person who is to be influenced comes in contact with the
water element in one way or another, for example by washing,
drinking, rain, etc., the water element immediately will become
active and release the effect that has been required. This example
ought to be sufficient, and based on it the magician can compose
several individual methods that will be just as effective as this
one.

**

Influence Through the Earth Element (Decomposition) ~

When working with this element, it can be done in two different ways:

1. Exactly in the same way as in the previous experiment, by taking
some water from a river or rainwater (tap water should not be used)
to which one adds some of the fluid condenser corresponding to the
earth element.

One can use a universal condenser too. It is also possible to work
with the fluid condenser alone without diluting it with water, by
throwing the impregnated liquid together with the solid concentration
into the earth instead of into the water. The reason is that the
earth is sucking in the liquid, and thus the earth element produces
the required effect.

Do not use dirt from a road where other people are walking, but
rather the solitude of a spot in the garden or a field. If you have
none of these possibilities in a city, then a flowerpot with some
new potting soil will do as well.

2. Take an apple, a pear, or better yet a potato, and make a hole in
it with a knife. Pour a bit of fluid condenser corresponding to the
earth element, or a universal condenser, into the hole.

3. Now load the potato with the desire-impregnation. Afterwards bury
the potato in the ground.
Each manipulation requires the concentrated meditation that the
earth element will produce the effect you wish to obtain.

To this series also belong the sympathetic and the mummial magic,
the so-called transplantation. In this case, one does not work with
fluid condensers but with mummies; these are constituent parts of
the body such as hair, nails, perspiration, urine, etc. I am not
going to describe this lower kind of magic in detail, because every
magician can compose these practices by himself if he wishes to
follow them.

These two examples should be sufficient to illustrate the influence
of the earth element.

Following these instructions, the magician can work out various
methods and his intuition will inspire him
to do the right thing. As one can see in the light of these
examples, the magician's trained willpower remains the decisive
factor that is moving the universal elements to produce the desired
effect with the help of the imagination.

He can repeat the operations optionally until the success has been
achieved. The magician can undertake these experiments for himself
for the sake of self-influencing.
 

I must say I normally do not work with electrical normally I focus on magnetic   and have built that up quite a bit. to the point where I walked by a group of pendulums at the store the other day and crystals that were hanging from a display holder and they all started moving wildly   hehehe!   but I did do the electric elemental exercise in the previous post and this morning was very satisfied with the results. as I did the build up of filling up hollow body with electrical energy my answering machine began clicking like it was about to begin recording a message someone was leaving! I didn't let my mind wander I only paused for a moment to take a breath and just focus on the breath and flow.   then it happened again   so unless there was a ghost present hehehehe   everything went well.   I proceeded to do the magnetic and then both again and during the magnetic I felt what I feel when I astral or remote view which is a sort of wet air a very texturized air   then when doing the electrical I proved it to myself again. the answering machine clicked on as if it were going to record a message...dead air and end only no had called and no message was to be left.   thanks HP maxine you are always an awesome researcher and an awesome force in the evolution of human potential! I take what I come for and love it!
High Priestess Maxine Dietrich <maxinedietrich@... wrote:
<tt>


Especially worthy of mention are the following four systems which
may be practiced successfully in selfinfluencing
as well as in influencing other people. According to the elements,
these methods are as follows:

1. Fire - through combustion
2. Air - through evaporation
3. Water - through mixture
4. Earth - through decomposition.

It would be possible to quote hundreds of varieties and
opportunities of producing such an influence through the elements,
and big book could be written about this problem. I will restrict
myself to one example for each element. Every magician can enrich
his own practical experiments and elaborate new practices by himself.

These four methods exert an influence on the most subtle astral
matrix of the material world, inducing the elements to exert their
influence wherever the magician allows them to work indirectly.

Suppose the magician is about to treat a long-lasting chronic
disease with the help of the elements. A couple of direct treatments
would not be sufficient to fight the sickness, and frequent
repetition takes too much time. In cases like these the magician can
use the Powers as helping factors.

Working with the four elements, the magician has three fields of
activity corresponding to:
1. the immediate effect;
2. the timed effect which is limited to a certain time;
3. the permanent effect, which fades as time goes on and finally
ceases altogether if the operation is not
renewed.

The Influence Through the Fire Element (Combustion) ~

1. Arrange for a piece of flannel or blotting paper about 4 by 4
inches. In an emergency, a piece of ordinary
paper will do as well.

2. Moisten it with any liquid condenser and allow it to dry.

3. Now put the paper in front of you and with the help of the
imagination through the material elements, concentrate into it the
point you would like to get realized. Do not forget to time the
effect, i.e., whether you wish for an instant, a limited or a
permanent effect.

4. As soon as the paper has been loaded with your desire, burn it in
an open fire or in the flame of a candle.

5. During the combustion, concentrate once more on the fact that the
power is released by burning the paper or flannel, inducing the
grosser elements to bring about the result you desire.

The ashes that remain are worthless from the magic point of view,
and you may dispose of them like ordinary ashes.

When performing this experiment you can arrange the effect so that
it will occur the very moment that the person for whom the operation
is performed eats or drinks something warm, enters a warm room, or
somehow comes in contact with heat.

This offers the opportunity to project the fire element into paper,
to load it with a desire, and to hand it over to the universal fire
element or the akasa principle in order to release the effect.
There are still many other ways that might be followed, but this
example will suffice to give the magician a useful hint in this
direction.

**

The Influence Through the Air Element (Evaporation) ~

1. Pour an inch of water into a small metal bowl, then add a few
drops of a fluid condenser that corresponds to air element. If such
a condenser is not available, you may use the universal fluid
condenser.

2. Now operate in exactly the same manner as mentioned in the
instructions given for the previous element by concentrating you
wish on the liquid.

3. Having done so, put the basin on a flame - an electric hotplate
must not be used - and let the desire-loaded liquid evaporate.

4. While doing so you have to concentrate on the steam, wishing the
desire to be absorbed by the air element, whereby the most subtle
air principle is induced to realize your desire.
Concentrate until the last drop of water has evaporated, and the
experiment will come to an end.

Together with the desire-impregnation, you also can combine the order
that the person who is to be influenced should, with every single
breath, inhale the air principle whereby the desire is beginning to
be realized. This happens to be only one example, and every magician
may establish similar versions of the influence operating through
the air element.

**

The Influence Through the Water Element (Mixture) ~

1. Take a new beaker, glass dish or vase and go to running water (a
spring or rive). Try not to be watched while you are performing this
experiment.

2. Fill the container with water and pour into it a few drops of the
fluid condenser responsive to the water element. In an emergency,
take a universal fluid condenser.

3. Now perform the wish-impregnation, proceeding in exactly the same
manner as with the previous element.

4. As soon as the water is prepared as described and satisfactorily
loaded, throw the impregnated water ecstatically into the river and
give the respective order, which will be fulfilled promptly by the
most subtle particles of the water element.

If the person who is to be influenced comes in contact with the
water element in one way or another, for example by washing,
drinking, rain, etc., the water element immediately will become
active and release the effect that has been required. This example
ought to be sufficient, and based on it the magician can compose
several individual methods that will be just as effective as this
one.

  **
        
Influence Through the Earth Element (Decomposition) ~

When working with this element, it can be done in two different ways:

1. Exactly in the same way as in the previous experiment, by taking
some water from a river or rainwater (tap water should not be used)
to which one adds some of the fluid condenser corresponding to the
earth element.

One can use a universal condenser too. It is also possible to work
with the fluid condenser alone without diluting it with water, by
throwing the impregnated liquid together with the solid concentration
into the earth instead of into the water. The reason is that the
earth is sucking in the liquid, and thus the earth element produces
the required effect.

Do not use dirt from a road where other people are walking, but
rather the solitude of a spot in the garden or a field. If you have
none of these possibilities in a city, then a flowerpot with some
new potting soil will do as well.

2. Take an apple, a pear, or better yet a potato, and make a hole in
it with a knife. Pour a bit of fluid condenser corresponding to the
earth element, or a universal condenser, into the hole.

3. Now load the potato with the desire-impregnation. Afterwards bury
the potato in the ground.
Each manipulation requires the concentrated meditation that the
earth element will produce the effect you wish to obtain.

To this series also belong the sympathetic and the mummial magic,
the so-called transplantation. In this case, one does not work with
fluid condensers but with mummies; these are constituent parts of
the body such as hair, nails, perspiration, urine, etc. I am not
going to describe this lower kind of magic in detail, because every
magician can compose these practices by himself if he wishes to
follow them.

These two examples should be sufficient to illustrate the influence
of the earth element.

Following these instructions, the magician can work out various
methods and his intuition will inspire him
to do the right thing. As one can see in the light of these
examples, the magician's trained willpower remains the decisive
factor that is moving the universal elements to produce the desired
effect with the help of the imagination.

He can repeat the operations optionally until the success has been
achieved. The magician can undertake these experiments for himself
for the sake of self-influencing.







</tt>

Be a part of something good and just sign the petition and remember we all are One. www.one.org Yahoo! Music Unlimited - Access over 1 million songs. Try it free.
 
Well, thank you for posting it and Thank you Father Satan for
noticing it!!! HAIL SATAN!!


--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:
I didn't want to post too much information inside of a day as it
gets to be too much for people to absorb, but Father Satan wants
this posted in answer to your question because it is important, so
here it is. Here is more info on the fluid condensers:

**

The Fluid Condensers ~
Any object can be influenced by any fluid, regardless of being
loaded electrically, magnetically, with elements or akasa, through
the aid of imagination and the will. But according to the laws of
analogy and by experience, it has been found out that not each
object and not each kind of liquid is suitable to retain
an accumulated power for a long time or to accumulate it at all.

Similar to the fact that electricity, magnetism and heat have good
and bad conductors, the higher powers offer the same bipolar aspect.
Good conductors own an enormous accumulative capacity because the
powers concentrated in them are stored up and can be held back at
will.

In the hermetic science such accumulators are called "fluid
condensers". There are three principal groups of them: 1, solid
fluid condensers; 2, liquid fluid condensers; 3, aeriform fluid
condensers.

To the principal group of solid fluid condensers belong, first of
all, resins and metals. As for the metals, gold occupies the
highest
rank. Tiniest jots, even atomic particles of gold grants an
enormous
amount of condensation power to any liquid. For this reason, gold
is
added in smallest portions to any fluid condenser. But more about
this subject will follow later on.

The second group comprehends lacquers, oils, tinctures and extracts
composed from resins that have been produced by certain plants.
Just
as gold occupies the first rank among the solid substances, being
analogous to the sun, viz., corresponding to the power and the
light
of the sun, so among the fluid substances the human blood and seed -

the sperm - play the part of gold. Sometimes they can replace the
gold completely, because tiny particle of blood or sperm dropped
into a liquid will grant an excellent accumulative power to it.

To the third group are attributed all kinds of fumigations,
flavors,
smelling waters, and evaporations about which I will not talk in
detail because they are less important for the magic practice.
Apart
from that, I will treat only of the most valuable fluid condensers
that are required for the practice.

Should I have to quote all these various kinds here, their
production and the possibilities of using them, and all the precious
and semi-precious stones too, which doubtless may be excellent
condensers this brief summary alone would grow into a voluminous
book.

There are two kinds of fluid condenser preparations. In the first
line there is the simple type made from one material or one plant
being most useful for any purpose.

The second kind consists of compound fluid condensers that are
prepared from several materials or plants owning extremely strong
accumulative properties.

Since a small quantity of gold has to be added to any fluid
condenser whatever, the magician's attention was directed to gold
first. He can get it as soluble gold chloride. One gram of gold
chloride diluted I 20 grams of distilled water produces a wonderful
gold tincture. 5-10 drops of this tincture are sufficient for 100
grams of a fluid condenser.

Those people who are experienced in laboratory work can produce a
gold tincture by electrolysis. Homeopathic medicines such as aurum
chloratum and aurum muriaticum are gold chloride. Aurum metallicum
is colloidal gold produced by electrolysis.

Supposing that you have no opportunity to obtain gold tincture, you
can produce it yourself in the manner of the ancient alchemists.
Take a piece of the best quality gold (at least 14 carats).

1. Prepare some distilled water equal to ten times the weight of
the
gold.

2. Heat the piece of gold in an open flame until it is red hot,
then
throw it into the water. Take care that the tool or wire you are
using to hold the gold does not touch the water. The best thing is
a
wire hook from which you throw the gold into the water. Take care
not to be splashed by the hissing water.

3. Now let the water and the gold cool down and repeat this
procedure 7-10 times. Add more water, since some of it will boil
off
each time you cool the gold. Each time, tiny particles of gold -
colloids - are liberated, and thus the water will become saturated
with gold.

The ancient alchemists called this sort of saturated water or any
other herb essence, chilled with red hot gold, the "quintessence of
gold in the hot way", and they used it as an admixture to other
alchemistic preparations. But we want to use it for our fluid
condensers.

The gold-saturated water is to be filtered and preserved. One
usually pours 5-10 drops of this gold tincture into approximately 3
ounces of fluid condenser. The piece of gold used for this
preparation has to be cleaned for further use.

**

Preparation of the Simple Fluid Condenser ~

1. Take a handful of chamomile flowers, put them in a pot, cover
them with water, and boil for about 20 minutes.

2. Let cool with the lid on the pot, then strain the decoction.

3. Boil the filtered decoction to about 50 milliliters. Let cool
and
mix it with an equal volume of alcohol (for better preservation).

4. Add 10 drops of gold tincture. If you wish to use the condenser
for your own purposes, you may add a drop of your blood or sperm,
if
possible both together.

5. Filter again and keep it in a cool dark place, ready to use.

Any fluid condenser prepared in this manner does not lose its
efficacy even after several years.

The condenser must be shaken each time you use it, and the bottle
must be kept corked. In the same way you can prepare several
universal condensers from Chinese tea, lily blossoms (white are
best), poplar leaves, alruance roots or mandrake, arnica Montana,
or
acacia flowers. Any simple fluid condenser prepared from one plant
is sufficient for normal use such as influencing through the
elements or developing the astral senses by means of fluid
condensers.

**

The Compound Universal Fluid Condenser ~
To achieve extremely strong accumulations of power or perform tasks
that are destined to produce not only a mental or astral influence
but also a material one as well, for example creating elementaries,
animation of paintings and other materialization phenomena, we use
the compound fluid condenser consisting of the following herb
extracts:

Archangelica officinalis (angelica), salvia officinalis (sage),
line-
tree flowers, cucumber skin, melon seed, acacia blossoms or leaves,
chamomile flowers, lily flowers, leaves or roots, cinnamon flowers
or bark, leaves of urtica dioica (nettle), leaves of mentha
piperita
(peppermint), poplar leaves, leaves or flowers of viola odorata
(sweet violet), osier leaves or bark, green or dry tobacco.

Three kinds of preparation are important to know.

1. The first and most simple is to put equal parts of the listed
plants into a big pot, cover them with water, and boil gently for
about 30 minutes.

2. Afterwards cool, filter and gently boil the filtrate to a thick
concentrate.

3. Now add the same volume of alcohol and add a few drops of gold
tincture, and sperm and blood if you wish.

4. Shake it well and filter into a dark bottle; cork it and store
in
a dark, cool place.


The second kind of preparation is as follows:

1. Put the herbs in equal parts into a glass bottle, add pure
alcohol until they are covered, and allow to them extract for about
28 days in a warm place.

2. Filter it and add gold tincture, and your own mumiae of blood
and
sperm. Then pour it into bottles and keep them for your personal
use.
One of the best methods of preparation is to treat each herb or
plant separately, whether in aqueous or (better) alcohol extract.
After the separate extracts have been prepared, mix them together,
add gold tincture and guard it.

One operates in the same way with the other four special fluid
condensers destined to influence by the elements.

The necessary plants are:
For the fire element: Onion, garlic, pepper, mustard seed or
powder.
This fluid condenser must not come in contact with the body,
especially the eyes, because of their sensitivity.

For the air element: Hazel nut, leaves or bark, juniper berries,
rose blossoms or leaves, cherry bark or leaves.

For the water element: Oats or straw, rapeseed, eventually turnip,
sugar beet, peony blossoms or leaves, cherry leaves or bark.

For the earth element: Parsley roots, leaves or seed, caraway seed,
plantago leaves, carnation flower, or balm-mint.

From the point of view of a layman the recipes quoted here will
appear as a dreadful pell-mell, and from the pharmacological point
of view one might describe them as pure nonsense. But the matter in
question here is not the pharmacologic but the magic effect.

The eyes of the expert practitioners who know the secret
significance of plants, which are so very mysterious, will detect
the correct connection by intensive meditation. One could compose
hundreds of recipes on the base of analogies, but this outline
ought
to meet the requirements of the magician. All the recipes given
here
originate in practice and have produced fine results.

Before I finish with the problem of fluid condensers, I will throw
some light on another alchemistic theme that is linked to it, the
Life-Elixirs.

Life Elixirs ~
The so-called genuine alchemistic "life-elixirs" are nothing else
but marvelously composed fluid condensers that have been produced
in
analogy to the elements and the three levels of human existence.

They have been magically loaded in accordance to them. Essences are
used for the mental sphere, tinctures for the astral sphere, and
salts and extracts for the material sphere, all of them loaded in
the
corresponding ways. Elixirs produced in conformity with them
consequently influence not only the material body of man but his
astral and mental bodies as well. Such an elixir is therefore not
only a good remedy but an excellent and dynamic regenerative too.
Therefore, the elixirs of sincere alchemists are nothing else but
exquisite fluid condensers.



--- In [email protected], "Kimmi" <enlil418@h...
wrote:

Ah, when he means fluid condencer, is he talking about the liquid
made with gold? I know how to make that...

Get a piece of gold jewelery, 18K or better, and a pair of
pliers,
a
ceramic pot with some water in it, heatproof gloves, and a pair
of
goggles and a good heat source. Now, heat the gold up holding it
in
the pliers with your gloves, and heat it as much as you can. Then
drop it into the water. wait until the water cools, fish it out
and
repeat 7 times. Now you have the water you put in your fluid
condencer, which could be an infusion or maceration of herbs
and/or
stones.

Is that right? Or is there another way about it?


--- In [email protected], "High Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


The toy is perfect, but should be consecrated. By this I mean
all
former energies from the toy should be cleaned out. Do this as
you
would for cleaning your aura, but remember, if you intend to
use
the
servitor to influence others or for tasks that involve others,
take
the energy from the universe instead of running it through
yourself.

The toy will be a home for the servitor, but it is very
important
that it is well hidden and no one can disturb it. And yes, fire
and
air are fine.

I will post some articles about elementals. Elementals in
contrast
to human beings have a soul made of only one element- like
gnomes
whose souls are 100% earth element as opposed to humans who
have
the
five elements.


--- In [email protected], "jri9vero"
<jri9vero@y... wrote:

hey there,
in this creation of a servitor, i would like to use a
toy.
1.)is the toy a valid body/material form for the elemantary?
2.) i want to use this servitor to attract someone. Are fire
and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going wrong.



--- In [email protected], "High Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a
special "home"
such
as a doll
or other object or even in a specially made box serving as
a
house. The
following is the real thing. These are the servitors
witches
used
for
centuries. Advanced servitors are given a real soul. Yes,
it
is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the creation
act
of
elementary:

1. The projection of one element into a ready form, no
matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form,
which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct form,
which
will be
produced by the element in
question.

4. The projection of several elements, which will produce
their
form
successively.


Method 1:

1. Take any object of which you want to give the form to
the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of
wood
or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the help
of
your
imaginative
faculty and imagine it in the form that you chose, in such
a
way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same
manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time
imagining
the
sensation
that more and more
elemental matter is forming, accumulating and compressing.

4. As soon as you are quite sure that this accumulation of
the
element is
strong enough for the realization of
your desire, impregnate this already completed elementary
with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary, because
it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime,
during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-
span]

Supposing that you operated with the element of fire, the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball
will
be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when
produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable
magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity, you
will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not show
any
vibration, it
will prove that the
elementary still is working because the job is not yet
finished.

When sending off the elementary to do its piece of work, do
not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be able
to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will
execute
your order
and obey your will within the
time you have fixed, without any exception. Not the
slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary,
cut
off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop thinking
of
it
instantly
after sending it off.

You may have to transfer yourself into a state of vacancy
of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether. The
more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If
the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the
elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name backwards
in
an
undertone.

This disintegration or dissolution also can be performed
through
the normal
imagination, similar to the
method we recommended for the projection of elements. You
may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is
preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled
satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by
reinforced
imagination
and projection of the
respective element, and then send the elementary off once
more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired
effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your
elementary
up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your ability
to
condense an
element. It also depends on
your will, your conviction and your emanative faith which
is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that do
not
require any
special intelligence, for example,
to give an order to another person, to offer protection in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the help
of
elementaries.

In the manner quoted here, an elementary can be produced
without
any
material shape as well.
In such a case one has to project the desired element into
a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner of
a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the magician
that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He
can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a
more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that will
aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any
object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also acquaint
you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax.
Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to
softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare the
loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine
beeswax
is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening
while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet, producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop
the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure after
it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the
treatment
of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to
create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool
plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore take
a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female magician
is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this
manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only then,
not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the
most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident
that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4 inches
will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be
shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise
serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral and
material
connection would obtain the
opportunity to influence the magician directly or
indirectly
to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if the
doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still
granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with only
one
element, and
an elementary can be
created in the way described in the previous method, but I
am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it gently
with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to it
and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the
figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while
performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician and
not
absolutely
necessary.
In any case, ascertain for yourself in this experiment that
in
this figure
you possess a perfect body appropriate to your elementary.


4. After your doll has got its name, fill your whole body
with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this
element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in
these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the
earth
such
as gravity
and the like into
it with the firm will and conviction that the earth element
with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element, which
you
project into
the doll's abdominal region. After that transfer the air
element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into
the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the
doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to,
accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an
invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the
elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is
accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several
times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as
follows:

7. With the help of your imagination, produce in the doll
the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and
wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the properties
of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided you
are
not
interested in any special desires, you
may concentrate on the four specific properties of the
mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with
the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light
from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak the
name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is
beginning
to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the life
in
the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right hand
will
have
completely disappeared, having
passed into the doll; the astral form of your doll is
throbbing
and alive.

12. At the eight breathing into it, think that the astral
body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The
last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired
elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect being
has
actually been
brought into the world.

Having arrived at this point, one can either go on or wrap
the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The
figure
is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch with
the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of
you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to imagine
your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in
your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill.
The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the
command
that it
should adopt the size
you choose for it. You can have your elementary shrink to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want to
give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also plays
a
part
here. As
every astral and mental body
is independent of time and space, matter being no obstacle
for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right from
the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine
matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period, the
elementary may
automatically
be condensed to such a degree that it becomes visible even
to
an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible
manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary
first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the
magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment of
its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before
creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered before
starting
the
creation.

Never permit an elementary to out-maneuver you, though it
may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After it
has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established
ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and always
make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of the
fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be wrapped
in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it, because
the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from
its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by
any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you might
be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a
magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking
thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will have
to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place
suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause
severe
damage to
the magician, especially if his
elementary is capable of producing strong physical effects
which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an extent
as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to disintegrate
an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by
burning
the figure,
without unloading it. One
should always consider that, according to the method
described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and
that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be
sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage to
his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental
defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one must
strictly observe
the directions and
instructions given here. Then you will never incur any
danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure
himself
or other
people.

In the case of an elementary, the process of decomposition
is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very
moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual
breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of the
blood.

2. Now load your right hand with akasa, which you imagine
to
be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the figure,
suddenly like a streak of lightning. By doing so, you have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because
through
the
streak of
the
akasa, the bond between the mental and the astral body has
been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help of
your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the astral
body
by
having one
element
after another evaporate. Begin with the fire element in the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth element
in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid condenser
with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to make
a
new
elementary, when kneaded and
molded, but it is more advisable to destroy it by burning
or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method that
is
generally
used when an elementary has
been condensed to such a degree that it accomplished
physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond his
control.
To protect yourself from any magical reaction or the
cunning
of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure, and
get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand. The
very
moment you are holding the naked figure immediately above
the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip the
doll
below the
water and while doing so think
that all the power, all abilities, the whole life is
passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a
tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic drawback
or
reaction.

3. Now leave the bath and dry yourself, but leave the
puppet
in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen
into
the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this
water.
If your eyes are clairvoyant and you notice that the figure
is
still
emanating an
aura, throw it once more into hot water and the fluid
condenser
will mix
with the water. You may
perform this experiment in any case even if you don't see
the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with the
silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance for
the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide on
the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact dying
hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for
years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything. If
your
elementaries have been created and
condensed to such a degree as to be able to talk like human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you
faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them, indifferently
and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any pity
just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death of
an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before
the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it would
be
out
of the
scope of this book. Being
however on the astral level, you would as a perfect
magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to
terms,
if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds of
yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into a
spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such or
similar
elementaries may be created by a
magician? This problem is left entirely to him. He should
decide
how many he
needs for his own
purposes and how many he wants to create for other people.
Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling all
the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every
danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is no
need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and
statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic. The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague likewise
goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced
with
the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these
facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I would
like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any
magician
should decide
in favor or this third method, he
has of course to consider everything I have written about
the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very
intensely
and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he
intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite.
Moreover,
he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to fix
the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is meant
for
his
personal
use only, he has to perform
the loading through the projection of his own body. In case
it
is
meant for
somebody else, he has to
execute the projection directly from the universe.
Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a
ritual, a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in order
not
to
be touched
by strangers. Having
considered all this carefully and written notes of it, he
may
begin with the
practice. In this third method I
will describe an elementary created with the fire element,
which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of it
two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to do
with
a
symbol of
the four elements in their
positive and negative results. The circle itself represents
the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the
octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the drawing
has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the
octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk, though
any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will do
for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on a
small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name the
big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have
hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is
built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with
the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper
already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your hand
of
the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and impregnate
it
with your
desire, whether right
away in your body, or animate it afterwards by imagination
when
it
has been
projected outside your body.
In order to achieve a quicker success, both possibilities
may
be
used
without incident.

4. Now, project the fire element out of your body and
accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the
surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into
the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and the
first
task will be
finished.

Next time, all you have to do is spread out the great
kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it, and
the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element and
let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame that
has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you repeat
this
exercise,
the greater will be the
effectiveness of your elementary. The way of working with
it
is
the same as
described in the two previous
methods, except that the loading always takes place I the
great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small
kylichor
in
hand and
give it the corresponding order.

This method is very popular in Tibet and the elementaries
there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with
the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that
you
have
not
decided on any other individual
method of dissolution that you have decided upon. The use
of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment of
sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of
the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a yidam,
and
what is most
profitable is to develop a
single ability and one field of activity in such an
elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous
methods.
It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a yidam
can
be
produced
with the other elements and
even with all the four elements in the same manner, the
process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has
been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the
complete
shape of the
elementary right at the
beginning. The elementary created in this manner is
instantly
made
ready and
complete, its efficacy and
power being increased by frequently repeating the
projection
of
the
elements. Although this method is
somehow more difficult, an experienced magician possessed
of
a
good
imagination will manage it very
easily as well. In the Orient, elementary yidams are
created
in
this way,
while pictures of demons and
images of gods serve as patterns for their representation.
All
the
other
conditions such as duration,
loading, naming, calling, preservation, sphere of activity,
purpose and
decomposition process are exactly
the same as in the previous three methods.







High Priestess Maxine Dietrich
http://www.joyofsatan.com
 
If I am ever late in answering anything here as with today, this is
because I sometimes take a couple of days off of the internet, like
I did this weekend.


--- In [email protected], "Kimmi" <enlil418@h...
wrote:
Well, thank you for posting it and Thank you Father Satan for
noticing it!!! HAIL SATAN!!


--- In [email protected], "High Priestess Maxine
Dietrich" <maxinedietrich@y... wrote:

I didn't want to post too much information inside of a day as it
gets to be too much for people to absorb, but Father Satan wants
this posted in answer to your question because it is important,
so
here it is. Here is more info on the fluid condensers:

**

The Fluid Condensers ~
Any object can be influenced by any fluid, regardless of being
loaded electrically, magnetically, with elements or akasa,
through
the aid of imagination and the will. But according to the laws
of
analogy and by experience, it has been found out that not each
object and not each kind of liquid is suitable to retain
an accumulated power for a long time or to accumulate it at all.

Similar to the fact that electricity, magnetism and heat have
good
and bad conductors, the higher powers offer the same bipolar
aspect.
Good conductors own an enormous accumulative capacity because
the
powers concentrated in them are stored up and can be held back
at
will.

In the hermetic science such accumulators are called "fluid
condensers". There are three principal groups of them: 1, solid
fluid condensers; 2, liquid fluid condensers; 3, aeriform fluid
condensers.

To the principal group of solid fluid condensers belong, first
of
all, resins and metals. As for the metals, gold occupies the
highest
rank. Tiniest jots, even atomic particles of gold grants an
enormous
amount of condensation power to any liquid. For this reason,
gold
is
added in smallest portions to any fluid condenser. But more
about
this subject will follow later on.

The second group comprehends lacquers, oils, tinctures and
extracts
composed from resins that have been produced by certain plants.
Just
as gold occupies the first rank among the solid substances, being
analogous to the sun, viz., corresponding to the power and the
light
of the sun, so among the fluid substances the human blood and
seed -
the sperm - play the part of gold. Sometimes they can replace the
gold completely, because tiny particle of blood or sperm dropped
into a liquid will grant an excellent accumulative power to it.

To the third group are attributed all kinds of fumigations,
flavors,
smelling waters, and evaporations about which I will not talk in
detail because they are less important for the magic practice.
Apart
from that, I will treat only of the most valuable fluid
condensers
that are required for the practice.

Should I have to quote all these various kinds here, their
production and the possibilities of using them, and all the
precious
and semi-precious stones too, which doubtless may be excellent
condensers this brief summary alone would grow into a voluminous
book.

There are two kinds of fluid condenser preparations. In the
first
line there is the simple type made from one material or one
plant
being most useful for any purpose.

The second kind consists of compound fluid condensers that are
prepared from several materials or plants owning extremely
strong
accumulative properties.

Since a small quantity of gold has to be added to any fluid
condenser whatever, the magician's attention was directed to
gold
first. He can get it as soluble gold chloride. One gram of gold
chloride diluted I 20 grams of distilled water produces a
wonderful
gold tincture. 5-10 drops of this tincture are sufficient for
100
grams of a fluid condenser.

Those people who are experienced in laboratory work can produce
a
gold tincture by electrolysis. Homeopathic medicines such as
aurum
chloratum and aurum muriaticum are gold chloride. Aurum
metallicum
is colloidal gold produced by electrolysis.

Supposing that you have no opportunity to obtain gold tincture,
you
can produce it yourself in the manner of the ancient alchemists.
Take a piece of the best quality gold (at least 14 carats).

1. Prepare some distilled water equal to ten times the weight of
the
gold.

2. Heat the piece of gold in an open flame until it is red hot,
then
throw it into the water. Take care that the tool or wire you are
using to hold the gold does not touch the water. The best thing
is
a
wire hook from which you throw the gold into the water. Take
care
not to be splashed by the hissing water.

3. Now let the water and the gold cool down and repeat this
procedure 7-10 times. Add more water, since some of it will boil
off
each time you cool the gold. Each time, tiny particles of gold -
colloids - are liberated, and thus the water will become
saturated
with gold.

The ancient alchemists called this sort of saturated water or
any
other herb essence, chilled with red hot gold, the "quintessence
of
gold in the hot way", and they used it as an admixture to other
alchemistic preparations. But we want to use it for our fluid
condensers.

The gold-saturated water is to be filtered and preserved. One
usually pours 5-10 drops of this gold tincture into
approximately 3
ounces of fluid condenser. The piece of gold used for this
preparation has to be cleaned for further use.

**

Preparation of the Simple Fluid Condenser ~

1. Take a handful of chamomile flowers, put them in a pot, cover
them with water, and boil for about 20 minutes.

2. Let cool with the lid on the pot, then strain the decoction.

3. Boil the filtered decoction to about 50 milliliters. Let cool
and
mix it with an equal volume of alcohol (for better
preservation).
4. Add 10 drops of gold tincture. If you wish to use the
condenser
for your own purposes, you may add a drop of your blood or
sperm,
if
possible both together.

5. Filter again and keep it in a cool dark place, ready to use.

Any fluid condenser prepared in this manner does not lose its
efficacy even after several years.

The condenser must be shaken each time you use it, and the
bottle
must be kept corked. In the same way you can prepare several
universal condensers from Chinese tea, lily blossoms (white are
best), poplar leaves, alruance roots or mandrake, arnica
Montana,
or
acacia flowers. Any simple fluid condenser prepared from one
plant
is sufficient for normal use such as influencing through the
elements or developing the astral senses by means of fluid
condensers.

**

The Compound Universal Fluid Condenser ~
To achieve extremely strong accumulations of power or perform
tasks
that are destined to produce not only a mental or astral
influence
but also a material one as well, for example creating
elementaries,
animation of paintings and other materialization phenomena, we
use
the compound fluid condenser consisting of the following herb
extracts:

Archangelica officinalis (angelica), salvia officinalis (sage),
line-
tree flowers, cucumber skin, melon seed, acacia blossoms or
leaves,
chamomile flowers, lily flowers, leaves or roots, cinnamon
flowers
or bark, leaves of urtica dioica (nettle), leaves of mentha
piperita
(peppermint), poplar leaves, leaves or flowers of viola odorata
(sweet violet), osier leaves or bark, green or dry tobacco.

Three kinds of preparation are important to know.

1. The first and most simple is to put equal parts of the listed
plants into a big pot, cover them with water, and boil gently
for
about 30 minutes.

2. Afterwards cool, filter and gently boil the filtrate to a
thick
concentrate.

3. Now add the same volume of alcohol and add a few drops of
gold
tincture, and sperm and blood if you wish.

4. Shake it well and filter into a dark bottle; cork it and
store
in
a dark, cool place.


The second kind of preparation is as follows:

1. Put the herbs in equal parts into a glass bottle, add pure
alcohol until they are covered, and allow to them extract for
about
28 days in a warm place.

2. Filter it and add gold tincture, and your own mumiae of blood
and
sperm. Then pour it into bottles and keep them for your personal
use.

One of the best methods of preparation is to treat each herb or
plant separately, whether in aqueous or (better) alcohol
extract.
After the separate extracts have been prepared, mix them
together,
add gold tincture and guard it.

One operates in the same way with the other four special fluid
condensers destined to influence by the elements.

The necessary plants are:
For the fire element: Onion, garlic, pepper, mustard seed or
powder.
This fluid condenser must not come in contact with the body,
especially the eyes, because of their sensitivity.

For the air element: Hazel nut, leaves or bark, juniper berries,
rose blossoms or leaves, cherry bark or leaves.

For the water element: Oats or straw, rapeseed, eventually
turnip,
sugar beet, peony blossoms or leaves, cherry leaves or bark.

For the earth element: Parsley roots, leaves or seed, caraway
seed,
plantago leaves, carnation flower, or balm-mint.

From the point of view of a layman the recipes quoted here will
appear as a dreadful pell-mell, and from the pharmacological
point
of view one might describe them as pure nonsense. But the matter
in
question here is not the pharmacologic but the magic effect.

The eyes of the expert practitioners who know the secret
significance of plants, which are so very mysterious, will
detect
the correct connection by intensive meditation. One could
compose
hundreds of recipes on the base of analogies, but this outline
ought
to meet the requirements of the magician. All the recipes given
here
originate in practice and have produced fine results.

Before I finish with the problem of fluid condensers, I will
throw
some light on another alchemistic theme that is linked to it,
the
Life-Elixirs.

Life Elixirs ~
The so-called genuine alchemistic "life-elixirs" are nothing
else
but marvelously composed fluid condensers that have been
produced
in
analogy to the elements and the three levels of human existence.

They have been magically loaded in accordance to them. Essences
are
used for the mental sphere, tinctures for the astral sphere, and
salts and extracts for the material sphere, all of them loaded
in
the
corresponding ways. Elixirs produced in conformity with them
consequently influence not only the material body of man but his
astral and mental bodies as well. Such an elixir is therefore
not
only a good remedy but an excellent and dynamic regenerative too.
Therefore, the elixirs of sincere alchemists are nothing else
but
exquisite fluid condensers.



--- In [email protected], "Kimmi"
<enlil418@h...
wrote:

Ah, when he means fluid condencer, is he talking about the
liquid
made with gold? I know how to make that...

Get a piece of gold jewelery, 18K or better, and a pair of
pliers,
a
ceramic pot with some water in it, heatproof gloves, and a
pair
of
goggles and a good heat source. Now, heat the gold up holding
it
in
the pliers with your gloves, and heat it as much as you can.
Then
drop it into the water. wait until the water cools, fish it
out
and
repeat 7 times. Now you have the water you put in your fluid
condencer, which could be an infusion or maceration of herbs
and/or
stones.

Is that right? Or is there another way about it?


--- In [email protected], "High Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


The toy is perfect, but should be consecrated. By this I
mean
all
former energies from the toy should be cleaned out. Do this
as
you
would for cleaning your aura, but remember, if you intend to
use
the
servitor to influence others or for tasks that involve
others,
take
the energy from the universe instead of running it through
yourself.

The toy will be a home for the servitor, but it is very
important
that it is well hidden and no one can disturb it. And yes,
fire
and
air are fine.

I will post some articles about elementals. Elementals in
contrast
to human beings have a soul made of only one element- like
gnomes
whose souls are 100% earth element as opposed to humans who
have
the
five elements.


--- In [email protected], "jri9vero"
<jri9vero@y... wrote:

hey there,
in this creation of a servitor, i would like to use a
toy.

1.)is the toy a valid body/material form for the
elemantary?
2.) i want to use this servitor to attract someone. Are
fire
and
air
effective elements for this purpose?

i understand the rest. Please correct me if i am going
wrong.
Priestess
Maxine
Dietrich" <maxinedietrich@y... wrote:


Advanced servitors are created and reside in a
special "home"
such
as a doll
or other object or even in a specially made box serving
as
a
house. The
following is the real thing. These are the servitors
witches
used
for
centuries. Advanced servitors are given a real soul.
Yes,
it
is
possible to
create a real soul using the elements.

The Act of Creation ~
There are four fundamental methods devised for the
creation
act
of
elementary:

1. The projection of one element into a ready form, no
matter
whether the
point in question be a mental,
astral or a material form.

2. The projection of several elements into a ready form,
which
may
be a
mental, astral, or material form.

3. The projection of one element without any direct
form,
which
will be
produced by the element in
question.

4. The projection of several elements, which will
produce
their
form
successively.


Method 1:

1. Take any object of which you want to give the form
to
the
elementary,
and put it in front of you. Choose
for example a ball, no matter whether it is big ball of
wood
or
glass, solid
or hollow inside. A rather large
rubber ball will do as well.

2. Draw the desired element from the universe with the
help
of
your
imaginative
faculty and imagine it in the form that you chose, in
such
a
way
that the
shape of the object is completely
filled.
Treat each element you want to work with in the same
manner,
except akasa,
and always engage
that element which best responds to your desire or idea.

3. Repeat this projection several times, each time
imagining
the
sensation
that more and more
elemental matter is forming, accumulating and
compressing.
4. As soon as you are quite sure that this accumulation
of
the
element is
strong enough for the realization of
your desire, impregnate this already completed
elementary
with
the
concentrated desire or purpose you
aim at.

5. Apart from that, give a name to the elementary,
because
it
cannot exist
without a name.

6. At the same time, limit the period of its lifetime,
during
which it has
to fulfill its task.

[Ask the advice of a Demon for whether to give it a life-
span]

Supposing that you operated with the element of fire,
the
outcome
would be a
fire elementary and you have got a fiery ball.
If it has been created from the water element, the ball
will
be
similar to a
glass ball; created from the air
element, the ball will have a bluish color, and when
produced
from
the earth
element, the elementary will
appear clay-colored.

Provided that you followed all these instructions, draw
the
elementary out
of the object and send it on to
the job you selected to be done. But beforehand, order
the
elementary to go
back into its shape
immediately after having fulfilled its task.

In this manner, you have the possibility of checking the
elementary, whether
or not it has done its job,
by approaching the form with a pendulum.

If the elementary has returned into the original form
after
finishing its
work, the pendulum will present
vibrations because such an elementary has a remarkable
magnetic
as
well as
electrical radiation. The
pendulum test is very important for you, as it
demonstrated
whether your
order has or has not been
executed. Later on, after having acquired the maturity,
you
will
be able to
watch the work of your
elementary by clairvoyance. If the pendulum does not
show
any
vibration, it
will prove that the
elementary still is working because the job is not yet
finished.

When sending off the elementary to do its piece of work,
do
not
forget that
there are no bounds for an elementary.
Neither time nor space can put
obstacles in the way of an elementary, and it would be
able
to
go
around the
globe in an instant if
necessary. You have to be firmly convinced that it will
execute
your order
and obey your will within the
time you have fixed, without any exception. Not the
slightest
doubt about
the success must ever enter
your mind. As soon as you have forwarded the elementary,
cut
off
the
connecting link between you and it
as suddenly as if you had used a knife, and stop
thinking
of
it
instantly
after sending it off.

You may have to transfer yourself into a state of
vacancy
of
mind,
or give
your attention to quite another matter.
In short, you must forget your elementary altogether.
The
more
skillfully
you manage this, the more
pervasively and undisturbed the elementary will work. If
the
time
you had
fixed beforehand has expired,
make certain with the help of the pendulum that the
elementary
has
returned
into its form. If so, you can
then dissolve the elementary in the way you previously
determined,
namely by
burning its name, with the
help of a special ritual, or by spelling its name
backwards
in
an
undertone.

This disintegration or dissolution also can be performed
through
the normal
imagination, similar to the
method we recommended for the projection of elements.
You
may
use
the
elementary for the same
purpose somewhere else too, if you like.
If your elementary has not returned to the form it is
preserved
in, after
the time you set, and if you
suppose that your order has not been fulfilled
satisfactorily,
just call
back the elementary.

Produce a more intense accumulation of the element by
reinforced
imagination
and projection of the
respective element, and then send the elementary off
once
more
to
do the
required job. You may repeat
this loading as many ties as you like until the desired
effect
has
been
accomplished. Such a repetition of
the loading will be necessary when you bring your
elementary
up
against a
problem that would exceed its
tension and power. Moreover, you have to consider that
the
effectiveness of
an elementary depends on
your own mental maturity and consequently on your
ability
to
condense an
element. It also depends on
your will, your conviction and your emanative faith
which
is
able
to move
mountains.

This is the most artless and easiest method of creating
elementaries, which
the magician is using for simple
effects only, narrowly limited ideas and influences that
do
not
require any
special intelligence, for example,
to give an order to another person, to offer protection
in
simple
affairs,
etc. As mentioned before, mental,
astral and material effects can be achieved with the
help
of
elementaries.

In the manner quoted here, an elementary can be produced
without
any
material shape as well.
In such a case one has to project the desired element
into
a
form
of
thoughts, operating in exactly the
same way you did in the material production. This kind
of
creation
of
elementaries is more difficult, it is
true, but it has the advantage that the form also can be
transferred
somewhere else, where a material body
would not have enough space, for example, into a corner
of
a
wall
and into
such spots where the meddling
of other people is quite out of the question.

This practice offers so many possibilities for the
magician
that
it is left
entirely to his intuition to what
purposes he likes to use the elementaries he creates. He
can,
for
example,
shield his house or apartment
from injuries with the help of an elementary, produce a
more
favorable
atmosphere for himself, and
similar things.
For example, a merchant can create an elementary that
will
aid
him
in
increasing the number of his customers.


Method 2:
Although, according to this method you may choose any
object
whatever, such
as a statue, doll or such as
a suitable form for your elementary, I shall also
acquaint
you
with a very
ideal secret practice:

1. Take two parts by volume of loam and one part of wax.
Stir
the
loam with
some warm water to a thick pulp and
add the beeswax, either completely melted or warmed to
softness.
Knead both
ingredients until they are
very well mixed. Do not use too much water to prepare
the
loam,
or
else the
mass will turn out too soft
and it would be difficult to operate with. If genuine
beeswax
is
not
available, any other fatty or waxy
ingredient will do, such as tallow and the like which
are
generally used for
making candles. This would be
a last resort, because beeswax is much better.

2. Now form a figure, giving it the shape you want the
elementary
to have,
such as a human form. With a
large nail or other pointed object, sink a wide opening
while
the
doll is
still warm and soft. Begin with the
head and move down along the spine to the feet,
producing a
large
hollow
inside the figure. Now fill this
space up to the opening with a fluid condenser, and stop
the
opening while
the figure is still soft to
prevent the condenser from leaking out.

Another way is to pour the condenser into the figure
after
it
has
cooled
down and hardened, stopping the
opening with liquid wax or with a candle. As to the
treatment
of
magic
condensers, I shall enlarge on this
subject in a special chapter. If the magician intends to
create
the
elementary for his own purposes only, he
has to stop the opening of the figure with a cotton wool
plug
containing a
few drops of his own organic
prima material. This is the Alpha and Omega; therefore
take
a
few
drops of
your own blood or sperm.

In our case, one or the other would be sufficient, but
if
both "mumiae" of
the first class were connected, it
would be still more effective. Supposing a female
magician
is
concerned, a
drop of her own blood serves
the same purpose. The cotton wool plug prepared in this
manner
has
to be put
first into the hollow of
the figure, pouring the fluid condenser over it, only
then,
not
before, and
finally stopping the opening.

According to the magic rules, a figure like this is the
most
ideal
form to
create an elementary. The size of
the figure does not mater at all, although it is evident
that
the
bigger the
doll, the more fertile will be your
creative imagination. But a figure approximately 4
inches
will
do
for a
skilled magician.

In case an elementary has to be created and a doll to be
shaped
for another
person, the own prima material
is not to be mixed with the fluid condenser, otherwise
serious
damage will
be done to the magician. The
respective person in consequence of the mental, astral
and
material
connection would obtain the
opportunity to influence the magician directly or
indirectly
to
good as well
as bad effect. For example, a
figure prepared with the mumia and put into cold water
will
cause
shivering
fits in the body of the
magician who created it, and the other way around, if
the
doll
were exposed
to great heat, a high fever
would result. A great number of possibilities are still
granted
by
the
magno-sympathetic bond.

The aforementioned doll can, of course, be loaded with
only
one
element, and
an elementary can be
created in the way described in the previous method, but
I
am
going to
particularize practice of the
second method as well.

3. Take your wax figure in the left hand and rub it
gently
with
your right
hand, as if you wanted to animate
it with your vital power. Blow your breath on it as if
you
wanted
to
resuscitate the lifeless figure. Give
your developing elementary the name you have destined to
it
and
speak this
name several times into the
figure. Religiously inclined magicians even baptize the
figure
in
a way
similar to the christening of a
newborn child, and give the name to the figure while
performing
this
ceremony.

[(You can baptize in the Name of Satan)]

This of course is a matter of opinion of any magician
and
not
absolutely
necessary.
In any case, ascertain for yourself in this experiment
that
in
this figure
you possess a perfect body appropriate to your
elementary.
4. After your doll has got its name, fill your whole
body
with
the
earth
element and project it through your hands or the
solar plexus outwards and fill the figure with this
element,
beginning from
the feet up to the
neighborhood of the genitals.
The earth element has to be accumulated dynamically in
these
parts
when
filling the figure.

5. Now, concentrate all the specific properties of the
earth
such
as gravity
and the like into
it with the firm will and conviction that the earth
element
with
all its
properties will remain in the figure
and work there constantly.

6. Proceed in the same manner with the water element,
which
you
project into
the doll's abdominal region. After that transfer the air
element
into the
chest region, and the fire element
into the head.

As soon as you have projected all the four elements into
the
figure, you may
be sure to have created the
astral body of your elementary, which has adopted the
doll's
shape
but, in
conformity with your desire,
could also emanate from the doll whenever you like to,
accepting
the size
you prefer. The astral body of
your elementary will always remain connected by an
invisible
bond
to the
material frame, in our case the
doll, and the life as well as the existence of the
elementary
depend on the
physical doll, and are bound to
reassume the size of the doll after the task is
accomplished,
reentering and
reuniting into the doll's shape
immediately.

Up to this stage, you may repeat the experiment several
times
and
reinforce
its efficiency by
deep meditation on the act of proceeding.

Provided that you have produced the astral body of your
elementary
in the
manner described here, you
may turn to form the mental body of the elementary as
follows:

7. With the help of your imagination, produce in the
doll
the
mental body,
which you think is made from
the finest etheric matter, and see how it surrounds and
wraps
the
entire
form of the doll.

8. Concentrate into the head of the doll all the
properties
of
the
soul and
the mind which you want your elementary to
own, and deepen these qualities by meditation. Provided
you
are
not
interested in any special desires, you
may concentrate on the four specific properties of the
mind:
will,
intellect, feeling and consciousness, and
deepen them by meditating on them. If you are sure that
the
figure
has been
sufficiently loaded and
enabled to produce the intended effect, let us deal with
the
awakening of
life in your elementary.

9. Accumulate in your right hand such an amount of light
from
the
universe
that the hand is shining fiery hot
like a sun.

10. Take the figure in your left hand and hold your
radiant
right
hand some
inches above it: Exhale
your warm breath to the doll's navel region, and speak
the
name
of
the
elementary aloud into it. When
doing so, imagine that the light from your right hand is
entering
into the
puppet. Right at the first blowing
of breath into it, imagine that the doll's heart is
beginning
to
beat and
the blood to circulate. Your
imagination must be so intense that you can feel the
life
in
the
puppet
quite distinctly, as it were
physically.

11. A the seventh exhalation the light in your right
hand
will
have
completely disappeared, having
passed into the doll; the astral form of your doll is
throbbing
and alive.

12. At the eight breathing into it, think that the
astral
body
of
your
figure is accepting your breath
and beginning to breathe regularly.

13. At the ninth blowing of your breath into it, call
your
elementary by its
name and at the same time, shout
aloud and ecstatically, "Live, do live, be alive!" The
last "be
alive" must
be exclaimed enthusiastically and
convincingly in the unshakable faith that the desired
elementary
has been
created. Be positively sure that,
according to the analogous laws of nature, a perfect
being
has
actually been
brought into the world.

Having arrived at this point, one can either go on or
wrap
the
figure in a
piece of silk for further use. Silk
is known to be the best magic insulating material. The
figure
is
to be kept
in a favorable spot, inaccessible
to anyone else; no foreigner must ever come in touch
with
the
figure. Any
further work is already a
matter of imagination.

Provided you with to advance, put the figure in front of
you,
imagine the
astral body together with the
mental body emanating from the puppet. You have to
imagine
your
elementary
very much like a tiny,
complete human being. It is entirely up to you to see in
your
elementary a
male or a female being,
depending on the kind of task it is expected to fulfill.
The
same
is true
for the clothing for it; your fantasy
may decide. According to the task ahead, you may link
the
elementary by
imagination to a self-selected
ritual.

Impress on your elementary right from the beginning the
command
that it
should adopt the size
you choose for it. You can have your elementary shrink
to a
dwarf
or grow to
a giant. It depends
absolutely on your will and your liking whether you want
to
give
the
elementary an attractive or less
beautiful form. The purpose on which you decide also
plays
a
part
here. As
every astral and mental body
is independent of time and space, matter being no
obstacle
for
it,
it is
necessary for you to communicate
this property to your elementary by imagination right
from
the
beginning. It
is therefore advisable for
every magician, when operating with an elementary, to
link
important
occurrences to a self-chosen ritual,
because this wished-for occurrence will become a routine
matter,
the ritual
connected to the respective
occurrence producing the necessary power and effect and
liberating
the
magician from using his will or
imagination.

When working with the elementary for a longer period,
the
elementary may
automatically
be condensed to such a degree that it becomes visible
even
to
an
untrained
physical eye. It is better,
however, to make the elementary work in an invisible
manner,
which
has to be
established by instructions
to the elementary. At the beginning such an elementary
first
will
fulfill
mental, later astral, and eventually
material tasks. All depends on the purpose to which the
magician
has created
it. The purpose or the task
is to be incorporated into the elementary at the moment
of
its
creation.
Afterwards it would be more
difficult to impress new qualities on it. Hence, before
creating
an
elementary, one ought to write a plan of
action in which everything is carefully considered
before
starting
the
creation.

Never permit an elementary to out-maneuver you, though
it
may
have
developed
to such a degree as to
set free grand mental, astral or physical effects. After
it
has
done its
duty, always confine the elementary
to its own body with the aid of your pre-established
ritual;
never
allow it
to pursue its own will. Always
be aware of your own authority and magic power and
always
make
sure that the
life and death of the
elementary are in your hands in the form of a wax figure
representing the
body of the elementary.

The destruction of this figure or the flowing away of
the
fluid
condenser
will cause the elementary's death or
its decomposition. As the wax figure must always be
wrapped
in
silk, one may
be certain the astral body
will neither enter the figure nor slip out of it,
because
the
silk
will stop
it. It is most important to know
and remember this. When you separate the elementary from
its
body
to send it
away or order it to
produce any effects, the figure must be unwrapped. If by
any
chance you have
wrapped the figure in silk
when the astral body happens to be outside of it, you
might
be
killing the
elementary, dissolving it
instantly, in the same way as if you were touching a
magician
whose astral
body is outside his physical
body, killing him at the same moment because the linking
thread
between the
astral body and the mortal
frame has been torn by the touch. As you see, you will
have
to
treat a
created elementary n exactly the
same way as if you were dealing with any human being.


The dissolution of an elementary must not take place
suddenly,
because the
power set free has its origin in
the magician himself and the sudden drawback could cause
severe
damage to
the magician, especially if his
elementary is capable of producing strong physical
effects
which
even the
magician would not be able to
accomplish. In such a case, the disintegration has to be
performed
gradually. Therefore, be on your guard
beforehand against the elementary growing to such an
extent
as
to
outdo the
magician's physical, astral and
mental powers.

Hence I recommend the following two methods to
disintegrate
an
elementary.
As mentioned previously,
the destruction must not happen suddenly, for example by
burning
the figure,
without unloading it. One
should always consider that, according to the method
described
here, it's a
part of one's own Self, of the
own Ego that has been projected into the elementary, and
that
any
sudden
destruction would result in a
strong magical drawback. Should the magician not be
sufficiently
resistant
or otherwise protected against
such drawbacks, he would certainly suffer severe damage
to
his
health, such
as dysfunctions of the heart,
nervous breakdown, paralysis of different kinds, mental
defects,
and so
forth. Therefore you are advised
always to be careful where magic is concerned, and one
must
strictly observe
the directions and
instructions given here. Then you will never incur any
danger
with
respect
to your health or otherwise.
Only a fool ignoring or disobeying the rules will injure
himself
or other
people.

In the case of an elementary, the process of
decomposition
is
exactly the
same as in the passing away of
Man, unless the dissolving moment was fixed at the very
moment
of
creation,
thereby deciding on another
Process:

1. Take the figure in your hand and imagine the usual
breathing
process of
the astral body in it.
You feel the beating of the heart and the throbbing of
the
blood.

2. Now load your right hand with akasa, which you
imagine
to
be
of
a
black-violet color.

3. Project the akasa pointedly to the heart of the
figure,
suddenly like a streak of lightning. By doing so, you
have
killed
your
elementary. The heart stands still,
the breathing has ceased.

4. Withdraw the mental body from the figure, because
through
the
streak of
the
akasa, the bond between the mental and the astral body
has
been
torn. As
soon as you imagine the mental
body being outside the puppet, dissolve it with the help
of
your
imagination
into the universal light, like
steam evaporating.

5. After that, pass on to the decomposition of the
astral
body
by
having one
element
after another evaporate. Begin with the fire element in
the
head,
then the
air element in the chest, the
water element in the abdomen, and finally the earth
element
in
the
feet. Now
open the hollow of the
puppet - break its head off - and catch the fluid
condenser
with
a
piece of
blotting paper, which you then
have to burn. The puppet itself could be used again to
make
a
new
elementary, when kneaded and
molded, but it is more advisable to destroy it by
burning
or
burying it in a
lonely spot. This would be the
normal way of decomposition.

Apart from that, I am going to describe another method
that
is
generally
used when an elementary has
been condensed to such a degree that it accomplished
physical
tasks or else
had become so strong that it
refused to obey the magician's power, having got beyond
his
control.
To protect yourself from any magical reaction or the
cunning
of
the
elementary, keep exactly within the following directions:

1. Prepare a very hot bath, as hot as you can endure,
and
get
in.
Hold the
figure wrapped in silk in your left
and. The right hand is loaded with akasa.

2. Now shake off the silk wrapping with your left hand.
The
very
moment you are holding the naked figure immediately
above
the
water, direct
the destructive beam of
akasa to the heart of the figure. At the same time, dip
the
doll
below the
water and while doing so think
that all the power, all abilities, the whole life is
passing
with
the help
of the water into your own body,
soul and spirit. This process represents a very abrupt
destruction
of the
created being, your elementary.
Your body, soul and spirit are accepting the life in a
tolerable
manner. The
rest of the power remains in
the water and you are protected against any magic
drawback
or
reaction.

3. Now leave the bath and dry yourself, but leave the
puppet
in
the water
until it has cooled down.
The silk in which it was wrapped might also have fallen
into
the
water. Let
the cold water drain off,
but make sure that nobody else comes in touch with this
water.
If your eyes are clairvoyant and you notice that the
figure
is
still
emanating an
aura, throw it once more into hot water and the fluid
condenser
will mix
with the water. You may
perform this experiment in any case even if you don't
see
the
emanation. At
least you will be sure that all
life in the elementary is extinct.

4. Burn or bury the remains of the doll together with
the
silk.
With this
last operation the elementary is
dead and gone for you.

Before I terminate this chapter, I would like to give a
few
hints
to the
magician who has to work with
elementaries. These hints are of paramount importance
for
the
practitioner.
Exactly as the hours of birth
and death of man are already predestined by fate, decide
on
the
duration of
life of your elementary in the
same way at the very act of creation; fix the exact
dying
hour
which you
have to keep to the very minute,
even if you have determined your elementary to live for
years.
It
is
therefore recommended to write
down everything beforehand so as not to forget anything.
If
your
elementaries have been created and
condensed to such a degree as to be able to talk like
human
beings, they
will try to beseech or even
threaten you not to destroy them. On no account descend
to
promises of any
kind, nor yield to bluffs or
threats. Sooner or later you would lose the control of
the
elementaries and
that would be disastrous for
you, indeed. Even if the elementaries had served you
faithfully
and you had
become quite fond of them, it
must be all the same to you to destroy them,
indifferently
and
in
cold
blood, as soon as their hour of death
has struck. Start the act of decomposition without any
pity
just
as if you
were performing any kind of
magic operation.

Just how important it is to fix the exact hour of death
of
an
elementary,
you may argue from the fact that,
in case anything should happen to you and you die before
the
elementary's
time has come, this latter
would dissolve itself at the moment fixed by you. Though
departed,
however,
you might perform your
destroying work in the akasa sphere too, if you were yet
interested in it. I
am not going to describe here
how anything like that could be managed, because it
would
be
out
of the
scope of this book. Being
however on the astral level, you would as a perfect
magician
understand that
automatically. If in such a
case the lifetime of an elementary were not limited to
terms,
if
the hour of
death had not been exactly
fixed, the elementary would go on existing for hundreds
of
yeas
after the
producer's death and constantly
be viable. In the meantime, it would probably grow into
a
spook,
a
hobgoblin, or vampire.

Now the question will probably arise: how many of such
or
similar
elementaries may be created by a
magician? This problem is left entirely to him. He
should
decide
how many he
needs for his own
purposes and how many he wants to create for other
people.
Some
magicians
have a throng of
elementaries as their servants, faithfully fulfilling
all
the
tasks they are
ordered to do. Thus for example,
the magician might have elementaries pointing out every
danger
to
him in
advance, others again will
protect him. Or forward messages to him, etc. There is
no
need
to
quote all
the possibilities, because all
of them are individual and depend on the desires that
the
magician
wants to
be realized with the help of
the elementaries. The speaking pictures, columns, and
statures
in
the
temples of the ancient may certainly
be interpreted as an outgrowth of elementaries' magic.
The
legend
concerning
the Golem, who is said to
have been created by the wise Rabbi Low in Prague
likewise
goes
back to the
creation of elementaries.
But in the case of Golem the creation has been produced
with
the
rites of
the Quabbalah. Anybody who
knows of quabbalistic mysticism is informed about these
facts.
The
synthesis
remains the same as quoted
in this method.

Method 3:
Before I explain the practice of the third method, I
would
like
to
remark
that very little is known about it,
and it is used only by a few oriental adepts. If any
magician
should decide
in favor or this third method, he
has of course to consider everything I have written
about
the
creation of
elementaries up to now. First of
all, he must think out a schedule and reflect very
intensely
and
get a clear
idea about the purpose of the
elementary, and its task.

Apart from that, he must have regard to the form that he
intends
to choose
and whether he means to
create a male or female or perhaps a hermaphrodite.
Moreover,
he
has to
determine the appropriate name
instantly and make a note of it. Nor ought he forget to
fix
the
duration of
life of the elementary, timing
the exact day and hour. Supposing the elementary is
meant
for
his
personal
use only, he has to perform
the loading through the projection of his own body. In
case
it
is
meant for
somebody else, he has to
execute the projection directly from the universe.
Furthermore,
he
has to
make sure about the manner in
which he intends to call his elementary, whether by a
ritual, a
formula, or
a gesture. He must know if he
wishes to bind it to a puppet or any other object such
as a
talisman or a
pentacle. He also has to decide on
the place in which the elementary has to be kept in
order
not
to
be touched
by strangers. Having
considered all this carefully and written notes of it,
he
may
begin with the
practice. In this third method I
will describe an elementary created with the fire
element,
which
the
magician may use for his own
purposes.

1. Draw a circle on a piece of paper, in the middle of
it
two
squares, one
upon the other so that you get a
regular octagon. This octagon indicates that we have to
do
with
a
symbol of
the four elements in their
positive and negative results. The circle itself
represents
the
all-comprehensive akasa-principle from
which the four elements derived. Mark the center of the
octagon
by
any sign
you like that indicates the
symbol of the elementary. The paper you use for the
drawing
has
to
be big
enough to allow the created
elementary to stand on the sign in the center of the
octagon.
Now
engrave
the same sign on a very tiny
round object, best on copper, silver or gold disk,
though
any
other kind of
metal will do, in a diameter of
1/2 inch.
If nothing else is available, a small piece of wood will
do
for
our purpose
also. It is however more
profitable to do the engraving with a pointed object on
a
small
metal disk,
especially if the elementary is
destined to have a long lifetime. Lamas in Tibet name
the
big
drawing the
great "kylichor" and the small
engraving the little kylichor, which they sometimes have
hidden
in
their
clothing. The difference in Tibet
is that the great kylichor is not drawn on paper but is
built
from
stones,
gathered and erected in a lonely
spot where no human being will ever be admitted. The
construction
of a big
kylichor has a diameter of 3-
4 yards. For our purposes it is sufficient to draw the
big
kylichor on paper
with red ink.
All these preparations being finished, let us begin with
the
real
creation
of the elementary.

2. Sit down comfortably in your asana, spread the paper
already
prepared and
put the small kylichor exactly into the
center of the big kylichor. As soon as you take your
hand
of
the
small
kylichor, call the name you chose
for the elementary. The small kylichor now is serving as
a
starting point
and as a stop for the projection of
elements.

3. Inhale the fire element by pore breathing and
impregnate
it
with your
desire, whether right
away in your body, or animate it afterwards by
imagination
when
it
has been
projected outside your body.
In order to achieve a quicker success, both
possibilities
may
be
used
without incident.

4. Now, project the fire element out of your body and
accumulate
it to such
a degree that the entire contents are compressed
to a very small spark of fire. Confine the spark to the
surface
of
the small
kylichor.

5. Repeat this experiment at least seven times so that
the
accumulated spark
grows larger with each repetition. After
repeating it seven times the spark might have the size
of a
candle
flame. If
you get tired, you may transfer
the flame with your sending-off and guarding method into
the
spot
where you
intend to keep the
elementary.

6. Now remove the small kylichor from the big one, guard
it
well,
or carry
it with you if you
find it more profitable.

7. Fold up the big kylichor and keep it well too, and
the
first
task will be
finished.

Next time, all you have to do is spread out the great
kylichor
in
front of
you, put the small one in its
center, and call the being with the name given to it,
and
the
flame will
appear on the surface of your small
kylichor. Repeat the projection with the fire element
and
let
the
small
flame grow bigger and bigger with
each accumulation until you have accumulated a flame
that
has
the
size and
height of the wanted
elementary. Transmute the flame into the desired shape
by
imagination, and
your elementary will have
been created. Moreover, you can still load it with the
fire
element for a
longer time to obtain a greater
intensity of the elementary. The more frequently you
repeat
this
exercise,
the greater will be the
effectiveness of your elementary. The way of working
with
it
is
the same as
described in the two previous
methods, except that the loading always takes place I
the
great
kylichor,
and when calling the elementary,
it will suffice to use your ritual or take the small
kylichor
in
hand and
give it the corresponding order.

This method is very popular in Tibet and the
elementaries
there
are called
"yidams." The destruction of a
yidam is brought about by the decomposition process with
the
help
of
imagination according to the
instructions mentioned in methods 1 and 2, provided that
you
have
not
decided on any other individual
method of dissolution that you have decided upon. The
use
of
such
an
elementary is of manifold that I
am unable to quote all the possibilities here.

For example, there are yidams created for the treatment
of
sick
people,
others for transferring objects,
bringing messages to scholars and friends, protecting
the
magician, and
pointing out any dangers to him,
influencing other people, and doing many other things of
the
sort
according
to the creator's desire. It will
always be advisable not to give too many orders to a
yidam,
and
what is most
profitable is to develop a
single ability and one field of activity in such an
elementary.
One has to
observe exactly the appointed
duration of life as we described it in the previous
methods.
It
is
entirely
up to you to create several
yidams if you like to. It is also remarkable that a
yidam
can
be
produced
with the other elements and
even with all the four elements in the same manner, the
process
undergoing a
slight change insofar as one
does not begin with the fire element, but with that of
the
earth,
followed
by the water element, the air
element, and finally the fire element. Herewith all has
been
said
about the
handling of the third method.

Method 4:
Following this method, you may operate in the same way
as
described in
method 3, with a big and a small
kylichor, but with the exception that you imagine the
complete
shape of the
elementary right at the
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Al Jilwah: Chapter IV

"It is my desire that all my followers unite in a bond of unity, lest those who are without prevail against them." - Shaitan

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