Question #2374: Kundalini and its participation in the creation of culture

[AskSatanOperator]

"Towards the end of this period, I felt an irresistible urge to write in verse. This urge culminated in a little book of poetry, written in nine languages, four of which were unknown to me. I had never written a single line of poetry in my life and, under normal conditions, I was incapable of writing a few lines in rhyme and meter, even though it had taken me days of effort.
Now, however, I found that finished lines of poetry, whole paragraphs, even complete poems, came to me in a gush, as if emerging from the surrounding gaps. Sometimes I found it difficult to put it all down on paper, so quickly was the flow captured."
-Gopi Krishna

"I have been led to the conclusion that Kundalini is the source of inspiration when I compare the creative process in myself with that reported by other writers, poets, painters, musicians and the rest. I usually write with full awareness, evaluating each word that flashes through my mind before writing it down. However, the material comes effortlessly, sentence after sentence, passage after passage or line after line of poetry, usually rhyming. It's as if sentences, pairs of verses or complete quatrains, already formed, float before my mind in order to be recorded."

KUNDALINIKUNDALINI THE PATH TO SELF-ENLIGHTENMENT THE PATH TO SELF-ENLIGHTENMENT

Question
Can the awakening of the serpent really awaken an extreme creative capacity?
Famous musicians and painters certainly had their kundalini awakened?

 

[AFODO]

Yes Kundalini is creative energy. Sexual life force. Sexual, in higher levels, are more, than just being horny or something, It is the inspiration and will to live, to have free and clear thoughts, etc..

I don't think famous musicians and painters had their Kundalini awakened. They might had cleaner soul, and a natal chart that gave them inspiration and creativeness.

 

[Karnonnos]

What Gopi Krishna likely experienced is that he had mental and psychological blocks towards doing anything creative in that lifetime [from what I remember about his biography he basically regarded it as frivolous compared to assisting the poor]. Suddenly this block crumbled with the rising, leading him to access more of his talents from prior existences. Psychological barriers collapsing and becoming who you really 'are' is one component of the rising.

Kundalini can amplify creativity to a huge extent, but most artists are not with risen serpents. However, when you look at very, very high level artists like Del Sarto or Michelangelo, their souls were definitely on a higher spectrum of the Astral because this spectrum is a necessity to appreciate and create complex and beautiful works of art. When someone's soul vibrates on a very high level it doesn't matter that much if they are risen or not in a manner of speaking, you can have siddhis and amazing talents without kundalini.

Leonardo Da Vinci is the exception here. Not just because the art he created was surreal in its octave of unique beauty and layered with occult allegories, but because he had an extraordinary array of talents in all kinds of fields that defy any 'normal' existence, as well as near-godlike intelligence.

If someone did have a risen kundalini and hadn't bothered with art in prior lifetimes, they aren't suddenly going to draw amazingly well in one second. They could learn a lot quicker, but that's it.

 

[sublimestatanist]

What Gopi Krishna likely experienced is that he had mental and psychological blocks towards doing anything creative in that lifetime [from what I remember about his biography he basically regarded it as frivolous compared to assisting the poor]. Suddenly this block crumbled with the rising, leading him to access more of his talents from prior existences. Psychological barriers collapsing and becoming who you really 'are' is one component of the rising.

Kundalini can amplify creativity to a huge extent, but most artists are not with risen serpents. However, when you look at very, very high level artists like Del Sarto or Michelangelo, their souls were definitely on a higher spectrum of the Astral because this spectrum is a necessity to appreciate and create complex and beautiful works of art. When someone's soul vibrates on a very high level it doesn't matter that much if they are risen or not in a manner of speaking, you can have siddhis and amazing talents without kundalini.

Leonardo Da Vinci is the exception here. Not just because the art he created was surreal in its octave of unique beauty and layered with occult allegories, but because he had an extraordinary array of talents in all kinds of fields that defy any 'normal' existence, as well as near-godlike intelligence.

If someone did have a risen kundalini and hadn't bothered with art in prior lifetimes, they aren't suddenly going to draw amazingly well in one second. They could learn a lot quicker, but that's it.

Sorry to resurrect the old post. It really speaks to me on an intellectual level. I've always felt a love for Leonardo Da Vinci.

Michelangelo (if I recall) was held basically prisoner by Pope Julius II and he had to work day and night painting the Sistine Ceiling, requiring to finish it at a certain time. I feel badly for these exceptional artists who were treated like slaves, and not the good kind.

A little thing I was curious about (I'm not very knowledgeable) is pertaining to the occult symbolism Da Vinci used. There's a painting that stands out to me, Salvator Mundi.

Although it's a depiction of jewsus, there appears to be something occult there in my mind... a right hand is raised with the middle and index fingers slightly extended (very much like the Baphomet) and in the left hand (only slightly lowered) holding a glass sphere with three white dots inside, which appear to resemble Orion's belt, something closely related to our Gods.

Considering the pyramids aligning to this constellation and HPHC's sermon that discusses the Egyptian word 'Aureos' (Egyptian for kundalini serpent) and the Greek word 'Ouraios' (he of the tail), I'm starting to see where there might be some occult symbolism hidden in Da Vinci's works.

The comparison he made about the tail relating to the base chakra, which represents hell, is fascinating to me as this is (as he explains) the place where our Gods have been known to reside throughout the ages.

What is hell though? I'm a little confused because I've read that our Gods reside in... (I forget... Duwat or something).


Thanks for your time making these posts and I'm sorry to bombard you with a million questions.